Musicality" in a system? What IS that ?


I thought I would venture to bring a question in, the interest in which unites us all. What has happened, when we describe a system as "musical"? Is it just a subjective and passing state of mind, which fills us with joy as we listen and if so, what does it need for us to get there? System tweaking perhaps or rahter "ego tweaking" like good company, a good wine, a good cigar etc? Both perhaps? Or could there be objective criteria, which have to met for a system to attain this often elusive and volatile quality? I am convinced that there are...but to your mind, what are they?
detlof
Perhaps, "musicality" is tantamount to an intrinsic satisfaction...an association of musical memory and musical reality. Assigning "musical" qualities to hardware can be a paradox...one might ascribe the beauty of ethereal highs and concomitantly, succumb to the visceral appeal of the nadir frequency of which a system is capable. Indeed, it would be the seamless integration of these two with a transparent and liquid midrange which to my memory and reality deliver "musicality." -Sam
detlof: excellent thread! and from a shrink, no less. (you accomplished, BTW, what i set out to do in my reckless youth, and i envy you for your accomplishments. i, alas became a lawyer, saving not souls or minds but perhaps, now and then, a portfolio or, even more rarely, a man’s, a woman's or a family's honor.) perhaps you relate somehow to "analyze this" ? let me at least believe that this is so, until i am dissuaded to the contrary.

there are, as my compatriots have already noted, as many answers to your query as there are among us. it would be easy, more-or-less, if we were to cling to HP's vision of "the absolute sound." the big problem is that nearly nothing's recorded nowadays without an amplified "boost" or a digital enhancement. i go to live concerts, lots of 'em. but i gain little from those experiences but for those heavenly times when i can hear what a 21st century conductor decides what an 18th century composer must have thought, and i usually agree. since i am less capable of entering the mind of mozart or brahms, or even john lennon, than my learned heirs of ‘music,” I accept for the most part the truth of their vision.

"musicality," thus becomes that which we feel is "real," through our ears, our skin, our experience and our desire. it is this subjective view of subjectivity that makes our hobby exciting and valuable to those among us who would otherwise doubt the lack of empirical "realism." for me, at least, we must distrust objectivity in this realm, much the same way as spies create a mythos of believability by rationally rejecting the most unbelievable hypotheses.

i don't wanna get off on a rant here, but, IMHO, the drive to find the “musical” variety of sounds is no less important among us than the search of arthurian knights for the holy grail. monty python reminded us of the folly of this quest, tho i doubt we'll be knocked off course voluntarily 'til we encounter our own knights who say nih." -kelly
In view of the fascinating posts above, may I venture an interim summary at this point, using expressions as well as single words used (random order)?
*effortlessly perceive the (performer's') meaning of the
note(s);
*Rythm and timbres;
*"naturalness" (my word)i.e., how do reproduced sounds compare with live / reality (real instruments, real space), and relate to our memory of reality;
*(ultimately) does the reproduction transport us and induce emotional reaction.
Detlof, maybe as initiator, you could give a fuller picture at this point?
(Caveat to newcomers on this thread: this post is not intended to, and doesn't fully reproduce the information contained above: newcomers to the thread are heartily invited to read what comes before.)
Yes Gregm, I will do as you suggest. But I still need a little time. Just let me tell you now, that there is much food for thought for me in all of the above posts and that I am also deeply moved by them. Next to enjoying and sometimes enviously marveling at the astuteness of the thinking, I am above all moved by the love and the passion for music which shines through all of your posts. I feel profoundly happy and also honoured to be able to find myself amongst you here, this especially after in time I felt my sensibilities somewhat bruised by all the unpleasant bickering going on elsewhere. I live in a country, where people are pretty close and introvert, so audiophila is a bit of a lonely thing there. So stumbling across Audigon was a lucky stroke for me. Hence: Thank you to you all, not only for responding so in- and extensively but also just for being there. Regards,
Detlof, it is we who are honored to have you on this board. Thank you. I find it interesting that it was someone (you) in an environment that is "close, introvert, and lonely" as you describe, that initiated a discussion on a topic that is if not the most important, then certainly one of the most important considerations pertaining to this hobby. All the best.