World's best Pre-amp for $10K and above?


Looking for the HOLY GRAIL in Audio? Here it is. I'm in my early sixties and retiring to my final system, which I was going to purchase during the past twelve months and decided to put on the brakes, and investigate whats out there as the most advanced engineered high end audio products for the money in the market place. As far as I'm concerned, the two top engineers in the world for the best Amp and Preamp at low prices are Bent Holter with Hegel Audio in Norway and Roger Sanders with Sanders Sound in Colorado. Why? The Hegel P-30 Pre-amp is a game changer, and will easily compete with Pre-amps at $30K and above. The FM Acoustics 268 Preamp that retails for $107K, uses a technology thats called "feedforward" instead of feedback.
Amps and Pre-amps since the early 80's have all used either global feedback, zero feedback or local feedback to filter out noise and lower distortion by sending and filtering the feedback current to filter capacitors or or an extra filter transformer. A small amount of voltage feedback occurs at the output stage in amps and preamps which goes back into the parts and boards causing noise and distortion which smears the quality of the music.The best Preamps in the world all have S/N noise ratios at 125 db's or above. The Hegel P-30 Preamp uses the same feedforward technology as FM Acoustics but is a more current design that Bent Holter calls "Sound Engine" patented technology that eliminates feedback which is why the P-30 Preamp has a S/N ratio of 132 db's, which has never been accomplished in high end audio with a Preamp costing $10K or below. The same applies to Roger Sanders Magtech amplifier which uses a patented linear voltage regulator that controls and regulates voltage with no excess voltage going back into the amp causing heat and distortion problems. The amp puts out 900 watts into 4ohms. Krell makes a pair of mono blocs that also use a similar voltage regulator. The amps are $100K a pair. HERES THE PERFECT SOLID STATE SYSTEM. A Hegel P-30 Preamp. A Sanders Magtech amp, A pair of Aerial Acoustics 7T speakers. The worlds finest SACD player, the Playback Designs MPS-5, designed by Andreas Koch, who invented SACD technology when he worked for Sony. He built the worlds first outboard DAC in 1982 and is legend in digital engineering. The MPS-5 is the most analog sounding player on the market which costs $17K. The Hegel P-30 is only $7500.00 and the Magtech amp is only $5K. The Aerials are $10K. Buy the solid core cables from Morrow Audio. They are low capacitance cables which matches up perfectly with these components. This combination sounds like the very best tube and solid state gear on the market. The whole system will cost about $42K but will sound as good as any system costing $200K. All of these products are game changers. If you want better looking cabinets and faceplates, then blow your money, but you will not get better performance for what this system has to offer. It is the HOLY GRAIL you are searching for and there is no better combination for the total cost of the system.
audiozen
The MPS-5 is the closest I have ever heard to vinyl..the player sounds identical to studio master tape.

Sorry- this is complete baloney. Spend some time around some master tapes before saying things like this!
I have listened to master tapes in studio's many times over the years and have two friends that are recording engineers with state of the art studios in their homes. I doubt very much you have listened to the MPS-5 player. Andreas Koch who is considered the best digital engineer in the States, worked in the Studer broadcasting studio's in Switzerland as a designer, and also worked in the Dolby Labs studio's as a designer as well in addition to the digital design work he did for Sony.
I've never read anything like this thread in these forums. I don't really
know if the OP is joking, serious, or if he is a dealer for these products.

I have one question: Once you have assembled these holy grail
components, who is going to set it up properly for you? You might be
surprised, but proper set up in a good room is critical to great sound.
Peterayer, let me elaborate where I'm coming from and you'll fully understand my
position, first and foremost, I am not a dealer or conform to any of the crappy high end mags on the stands that favor products based on the ad revenues they generate annually from their high end audio companies ad contracts..I don't give a crap's ass on the brand of the month, whether its Boulder, Levinson, Krell, Rowland, Esoteric or the Euro brands. I focus on one thing only, the audio design engineers behind the scenes who are the best in the industry who are never fully recognized and given the credit they are due based on their contributions providing the most advanced design technologies in the high end field on world class audio products at reasonable prices. As far as setting up a system, I have been doing that for years. As any true audiophile knows, never set up a system in a square room to avoid standing wave problems.
Can I have the 10 minutes of my life back reading this useless thread? As someone else pointed out, the OP has done this thing before with another "end all" solution to audio. I wished I recognized his handle earlier.