forum member (muralman1) is using a digital amp to drive his 1ohm Apogee Scintilla's, he had Pass X600 mono's on them.
Dave
Dave
Best affordable amp for Thiel CS3.6
I have a pair of CS3.6's, which I am currently driving with a pair of Adcom GFA-555II's in bridged mono mode. While I am fairly happy with this setup, I realize that the Adcoms may not be in the same league as the Thiels. Any suggestions as to what amps mate well with the CS3.6's? Ideally, I'd love to find an amp (or two, if mono) for under $2,000, but if it's worthwhile, I may go higher. Obviously, if there is a great option out there for less money, I'd be even more interested. Used gear is fine with me, if it is quality gear. I am also considering modding my Adcoms to smooth out the mids/highs and add a little support in the low end.
Another consideration is that I am currently using an Adcom GFA-2535 for my center channel (Thiel SCS3) and surrounds (AR TSW-110), and since it is nice to have matching amps for HT, I'd probably have to add an additional amp or two (eventually).
My sources are currently a Denon DCM-460 and a JVC SA-600, but these are likely to be upgraded in the relatively near future. Both are sending digital outs to my Rotel RSP-1066, which handles the processing.
Thanks for any input/advice.
Tom.
Another consideration is that I am currently using an Adcom GFA-2535 for my center channel (Thiel SCS3) and surrounds (AR TSW-110), and since it is nice to have matching amps for HT, I'd probably have to add an additional amp or two (eventually).
My sources are currently a Denon DCM-460 and a JVC SA-600, but these are likely to be upgraded in the relatively near future. Both are sending digital outs to my Rotel RSP-1066, which handles the processing.
Thanks for any input/advice.
Tom.
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- 67 posts total
I think we have to be cautious about lumping components with similar technologies into overyly broad generalizations. Some typical ss amps do well with lower impedance loads, some rare tube ones can work well too and visa versa. I suspect different digital amps may follow suit. I'm very excited about the potential of these new digital amps, but, have very very little experience with them. I've only heard them at shows. One product in multiple situations which didn't impress me too much and another in one situation that really did impress me. |
I have been digging a little deeper into information regarding my current amp candidates, and I discovered that the Theta Dreadnaught II (which can be a 2-10 channel amp) has an option which allows you to place it into 2-channel operation (regardless of how many modules you have) and to send all of its current to just the two channels. This seems like an incredibly smart solution to the whole "2-channel, critical listening" and simultaneous "home theater" system. Any thoughts on how a Dreadnaught II in two channel mode (that would be 450w at 4 ohm) would drive my CS3.6's? This could be an interesting ticket. Another attractive option are those Theta Enterprise monoblocks. Hubba hubba! Of course, I would still need a multiple channel Dreadnaught II or Intrepid to keep a consistent HT setup. And that price tag would not be cheap. Thanks, Tom. |
One Call has a close-out on a big ATI 5 channel amp at $1,500. You could use it for all channels or as a bi-amp plus center channel for fronts and add a smaller two channel amp for rears. http://ww1.onecall.com/About_50001000_22_68_0_0_0_0.htm Note: Must have 20A circut Dave |
- 67 posts total