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PMC speakers vs B&W... has anyone compared?

I'm coming to realize the next step up the sonic food chain might be more capable speakers then my CDM 9NT's. The Natilus range (804/802) might be the ticket... I've always used B&W's, but have an itch for something different too. Looking at the numbers of the PMC FB1+, seems to tell me their range is amazing - much broader then the 9nt's. I know specs don't tell the whole story so I thought I'd see if anyone with any first hand comparision of these brands might shed some light. What would be considered a better speaker in PMC's line the the smaller Natilus floorstanders?
Jazz and rock on vinyl is what I listen to mostly.
Thanks
sailfishben
krellm7
163 posts
 
Just remember Sailfishben most of these people have never been to or hardly ever go to live music being it amplified or acoustic. I work in hi fi and find most peoples reference is another audio system which is a very poor refrence. I would never listen to anyone on any forum, when I want a good laugh
I go onto audio forums. Most everyone on here has not a clue what music really sounds like.

PS: B&W speakers are used in most high end recording studios
like Abbyroad,Lucas film,Sony music studios the list goes on.
If that dont't tell you somthing what will?
metralla
945 posts
 
Most everyone on here has not a clue what music really sounds like.

Ya' think? The reality is that most members here have an excellent idea of what music really sounds like.

Regards,
brizonbiovizier
124 posts
 
Abbey road and lucas films are buying into pmc instead now ;-)

I find the bryston sst and krell a bit harsh but the older bryston st is much more palatable.

I spend a lot of time at rock and acoustic gigs as well as classical performances. Getting kit that is equally at home with all genres is very difficult and expensive. None of it sounds like B&W.
henryked7b
5 posts
 
Krellm7, it's a different story to use speakers as monitors in "high end recording studios" (what the heck is this? recording studios and... high end?) and listen to them at home for many hours. In studios, they must be revealig first of all, shaw te work of a sound engineer. They really don't care about speakers' musicality, listenability. It's not their priotity. Oh, you must see the difference.
audiofeil
4,011 posts
 
I know what music sounds like and B&W is not musical. However, it's a great company to deal with. I know someone who cooked a driver from a pair of old B&W speakers. He had no difficulty obtaining a new one; not an aftermarket unit, an original factory driver. There are very few companies that can replace the exact driver manufactured 20 years ago.
Regarding their use in high end studios, one would have to be naive not to believe there is a significant amount of money involved in these matters.
Do you think Tiger Woods really drives a Buick Rendezvous?
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