Maybe I should join "EAA", that stands for "Extreme Audiophiles Anonymous". After putting such people down, I've discovered that "Maybe I are one"?
This is a "jazz" music forum, and the music Rok recommended is some fantastic jazz.
Enjoy the music.
Jazz for aficionados
Speaking of 'Nuance', may I recommend the following: Jimmy Scott (vocals) -- All The Way Probaly unknown to most on this forum, but he this man is an awesome talent. If you like singing at the highest level try to find a way to listen to this cd. Try to YouTube him if you can. I think The Frogman will love his style. His voice is almost feminine. I have had this CD for years. Listened to it last night. Great late night singing esp with that special someone. His personal story is a sad one. Ella Fitzgerald -- For the Love of Ella Fitzgerald Two Cd set. A tale of two CDs. CD #1 swings the other one is mostly Ballards. I like the swing stuff best. Of course there is no sense trying to describe Ella's performances anymore. Hell, it's Ella. That's all you need to know. She is backed on one song or another by almost everyone in Jazz. From The Duke, Basie, Louis, Oscar to Nelson Riddle. Her performance of 'Rockin' in Rhythm' with Duke's band is awesome! She scats thru the whole thing. Duke and Band are out of their heads. The brass section in particular. They get 'up there' and stay up there for a while. With Clark Terry , Ray Nance and Cat Anderson on trumpets, what can you expect! Man, I love this stuff! The ballards are just run of the mill awesome! The woman does anything so effortless! And please, no comments about flat pianos! :) BTW, O-10, I received my copy of 'Trio Tres Bien' today. I will report later. I noticed they used the term 'Jazz Aficionado' in the liner notes. You didn't write them did you :) Cheers Give Jimmy Scott a listen. And Ella also. I looked on youtube, I saw her doing rockin in rhythm, but not with the Duke. Cheers |
Rok, I am impressed. I love Little Jimmy Scott! I will never forget the first time I heard him. A friend came over a few yeards ago and, as we often do, try to stump each other by doing blind-tests to identify players and singers. He played this cut: http://m.youtube.com/watch?v=SRYJbaxwJ20 I wasn't sure, but I guessed Nancy Wilson. Well, it turns out that Jimmy Scott was, by her own admission, Nancy Wilson's biggest influence. He is a beautiful interpreter with wonderful phrasing. The influence on Nancy Wilson is remarkable. Not just in the phrasing, but also the tone and pitch of her voice. Some singers (and players) approach sustained notes either from above the pitch center or from below. Notice how they both approach it from below which gives certain sung notes an ever so slightly flat intonation until they are brought up to the pitch center; gives the singing a subtle tension-and-release quality that is very expressive. Here is Nancy Wilson, possibly my favorite female vocalist (next to Victoria De Los Angeles, but that's a different genre) from one of my very favorite records: http://m.youtube.com/watch?feature=related&v=0EeWOA1Engk I had the good fortune of hearing Jimmy Scott live about fifteen years ago. Very interesting performer with a very warm demeanor and curiously androgynous appearance. Good call! |
I listened to "The Inflated Tear" every day for three months after hearing it for the first time. What an incredible song. Now I'm wading through the minds of Mr. Archie Shepp and Albert Ayler. Shepp's "Le Matin des Noire", "Hambone" and Ayler's "Summertime" just blow me away. I'm trying hard to stay away from Braxton but I feel it coming on. |