Also, I think in line with Al's point, I always find crossover points in the midrange where most music occurs to work against musicality overall, unless very well designed and executed. Even then, it can only usually hurt and not help. Take a look a the musical frequency respone chart on the internet to get an idea of at what frequencies most music occurs.
That in conjunction with a highly directional tweeter could be a double whammy. The remedy for a directional tweeter is to be even more cognizant of room acoustics and listening position than otherwise, and then play with placement, tilt, orientation, etc. accordingly.
That in conjunction with a highly directional tweeter could be a double whammy. The remedy for a directional tweeter is to be even more cognizant of room acoustics and listening position than otherwise, and then play with placement, tilt, orientation, etc. accordingly.