Semi,it is interesting that you mentioned the size of the room. My room is very small which probably has something to do with how well the GH's integrate in the room.
I cannot support much bass in the room and of course the GH's don't really do much below 50Hz's.
We AB'ed the GM to the GH in my room and while the magic in the mids was lacking, the GM did offer a little more bass response, we all figured it began to break up about 45Hz's or so.
In your bigger room, that might be valuable and possibly your GM's may go even lower. I am not a headbanger, but I also realize that music has a fundemental in the bottom octave and a certain reality that comes with being able to reproduce the lowest octave at reasonable volume with little to no distortion. The Amati A's or the Strads are probably much better in this regards than either of the G's in a larger room. (But not so good in a small room like mine)...It really is "horses for courses".
I cannot support much bass in the room and of course the GH's don't really do much below 50Hz's.
We AB'ed the GM to the GH in my room and while the magic in the mids was lacking, the GM did offer a little more bass response, we all figured it began to break up about 45Hz's or so.
In your bigger room, that might be valuable and possibly your GM's may go even lower. I am not a headbanger, but I also realize that music has a fundemental in the bottom octave and a certain reality that comes with being able to reproduce the lowest octave at reasonable volume with little to no distortion. The Amati A's or the Strads are probably much better in this regards than either of the G's in a larger room. (But not so good in a small room like mine)...It really is "horses for courses".