Soliloquy 6.2i vs VS vr4jr , Zu Druid & Usher 6371


I have the Soliloquy's and have the ' upgrade' bug !
I am not able to sample equipment very easily and am looking to narrow down my choices here .
I am using an Audio Aero Prima integrated amp with a Granite 657 CDP .
While I don't have any real problems with this set-up I would like to improve on it .
My listening room is small at 11ft. X 12ft. thus I listen in the near field , @ 6ft. from the speakers . I do listen to rock music but usually at low volume levels as well as contemporary blues and some female vocalists like Diana Krall. I value good ole toe tapping head bobbing involvement most of all .
The only other speaker that I have any experience with is JM Labs Electra 926. I did not care for them as they did not have any 'heart' and were a little tizzy on the top end .
I would like to know how these choices would compare to my Soliloquys in my situation . Would these be a side ways move or an upgrade ? I realize that each one will have a different sound and would like to know what that difference is .
Any other moves from the Sols, that were an improvemnt, would be welcomed .
Thank you .
saki70
...they will not make it difficult to return your Druids should the unthinkable occur. Then you can speak to the many who are perplexed about this Zu talk.
Oh no! Not the unthinkable! Please, Reverend Zu, you must save the audio aimless from themselves!

I have to wonder, just how do you sell your next "I found it"?
Jeff: Great review. I responded to it there but a few words may not be out of place here too.

My own unsolicited advice is a little different. Your review basically says to me that you feel Gallos -> Druids will be a sideways move for you. That, plus the fact that Zu is working on newer models, including perhaps a further improved Druid, suggests waiting. See what their lineup looks like after a while.

Most of us have been searching for the best speaker for our taste/budget for years. If we have done even 1/2 of a good job, then it should not be trivial to better what we settled on. It can be done, that's why we keep looking, :) but it is a tribute to the job you did so far that it is not easy. So congratulations and good luck.

Rather than ordering Druids, I would suggest trying to hear other contenders as and when you can. And, always, please post your impressions. :-)
Evita,

Thanks for the response. I can't explain how two watts and a speaker that rolls off at 40 Hz performs with so little compromise. I'm sure that's a secret that Zu and Yamamoto want to keep.

I have auditioned countless single driver, high-effeciency designs powered by low powered SET amps. I agree that most designs of that type make compromises and are certainly not suited for all types of music. The Zu's simply do not sound like those other designs.

I tried a variety of different music types during the audition. None of it was what I would consider "lighter fare". No chamber music. No string quartets. Most of the music was either jazz or rock. While the amplifier certainly would run out of juice before the speaker, I never felt like I needed more volume or that the sound was thin or constrained. In fact, just the opposite, the sound was full and round.

Also, I did try the speakers on serveral occasions with the Method sub. The sub extends the bass down to 20 Hz. While I could definetely tell the difference with the sub powered, it was not dramatic. The speakers played just fine on their own.

Jeff
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Thanks for the response. I can't explain how two watts and a speaker that rolls off at 40 Hz performs with so little compromise. I'm sure that's a secret that Zu and Yamamoto want to keep.
If there is some physics secret here that has managed to elude every speaker & amp builder in history, then more power to the Zu guys.

I heard the Druids twice, and thought they sounded rather UNbalanced--piercing highs & overly-resonant cabinet--but given what you have to say about getting pulled in over time, as well as the comments other owners, I look forward to hearing them (and the Definitions) again.

I tried a variety of different music types during the audition. None of it was what I would consider "lighter fare".
You listed Natalie Merchant, Alison Krauss, Jack Johnson, etc. among those you heard with this setup. Those IMO would qualify as lighter fare.

It would seem from your comments that your goal has little to do with replicating the dynamic composure of live music. Would you say that's true? Not that it matters a lot, other than to give additional context to your conclusions.

Thanks, Jeff.