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Gallo REfF3's-All their cracked up to be?

Having won award from Absolute Sound,6Moons etc just wondering if how they compare with others in $25r00-$5K range.With Maggie 1.6/3.6's,Spendors,Harbeths,B&W Nautilus 803's etc not to mention used Quad 988.989,Infinity Preludes that have been seen as low as $3500,Gershman RX-20's used,offerings from Audio Physic (again good values used,heard Sparks where I liked low volume dynamics and read the Gallo's need to be pushed to come alive) well it's a crowded market.But seems like the twop speakers that have major buzz factor are the Gallo and NHT Xd system (selling for a bit over $6K).Live in sticks anbd would like to hear from folks who have put the Gallo's up against other speakers with empahsis on accurate midrange.Had as pair of Ref 2's but never got system set up around them nor dialed them in correctly.Was so nervous that tweeters might blow which were irreplacable got me nervous and I got rid of them pretty quickly.Have heard from dealers that Gallo can be unpleasant in cutomer support and lack of back tweeters could have been his resent ment that they did not sell better.But even though that's speculation is does say that they could be beter in support area.Maybe new models and sales might correct this.,They seemed to have great attributes but also weakneeses.Couldn't shake the feeling they were "gimmicky" in some respects but againn perhaps they were not dialed in proprly.Would lkike to run with 40 watt glass but could go 200+ solid state.Any auditions or owners who could give the good ,the bad and the ugly?
Thanks
Chazzbo
chazzbo
dopogue
1,773 posts
 
I moved to Gallo Ref 3s from the earlier 4-ball Gallo Ultimates. The Ref 3s are a MAJOR improvement over the Ultimates, which I liked a lot. Granted, Gallo customer support has been nothing to write home about, though no problem ever arose with the Ultimates and they're now (I still have them) 11 years old. Despite their comparatively modest cost, I've heard nothing I prefer to the Ref 3s, and I've listened to the Sonus Faber Amati Homage, Revel Salon, and other high end speakers. I'm driving them with 12 wpc SET monoblocks (huge transformers, granted) in an 18x40' space and never feel a lack of power. I do have a 500w Hsu subwoofer amp powering the woofers' second voice coils. I agree that they don't come fully alive in low-level listening.

They do a perfect disappearing act, with a large sweet spot, excellent soundstaging, great highs (those CDT tweeters) and top-to-bottom balance. They have real "authority" despite their diminutive size. They love tubes. The ONLY complaint I have is that their break-in is long and painful. Once you get past that (100 hours minimum), I think you'll like them a lot. I'd personally go for a used pair and let someone else "enjoy" that break-in. Dave
jacquescornell
56 posts
 
I heard them in a small demo room and thought they were good but not magic. Admittedly, the room was too small, about 10x12, and the presence of a large plasma TV along the left wall probably scotched the imaging, so take my comments with a large grain of salt.

Despite the impressive-looking 10" woofers, upper bass was lean. Center imaging was good, but not as focused on vocals as my Spica TC-60s. The soundstage was much wider than the space beyond the speakers, though, probably thanks to the 300-degree radiation pattern of the tweeters. The treble was impressively extended. Clearly, these things go well beyond the range of human hearing. I wouldn't say they were bright, but I found the tremendous amount of treble information a bit overwhelming. I'm more of a midrange guy. I had a chance to get a used pair for $1,600, but preferred the sound of the Martin Logan Aeons for their detail and their wide, tall and ethereal soundstaging. I wound up getting a used pair of Aeriuses for $1,000 to replace my Spicas.

If you like a punchy, dynamic, tight sound with plenty of top-end detail and sparkle, you'll like the Gallos. If you want a rock-solid center image on vocals, a deep, deep soundstage, and slightly warm midrange, the Spicas do the trick. If you like a big, well-focused soundstage with the nth degree of detail, warm upper bass and smooth midrange, the Martin Logans are the ticket. All of these are superb. The choice is more a matter of taste than absolute quality.
bgrazman
226 posts
 
Chazz,

I got my Gallos to replace another speaker known for mids--the Dunlavey SC3. I moved and the SC3's were too big... I think it was the physical space between the mids of the MTM, but in my new listening room the sound didn't seem to integrate (smaller room).

I listen to a lot of acoustic jazz and without a system doesn't come alive for me without an accurate midrange. Don't know why people talk about needing to push the Gallos, but my amp is fast. I have played around with a low powered SET amplifier (7 watt) and it was OK, but I was happy when my big amp came back from being modified. I tend to listen at pretty reasonable volumes (often, the kids are asleep by the time I can fire up the rig) and again, have no problems. As I think about it, my speaker cables are also known for mid & speed (Nordost SPM)... I think I have a decent rig (better than most that include the gallos) and have seen them "rise to the challenge."

Of course, you should (& did) solicit input from people who have made other decisions than I did (Ref 3's on Isorock GR stands, SA... some playing around with cabling till I was happy).

Happy listening,
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