So TAS has finally come out with Dick Olsher's review of the Coincident Dynamo 34 SE. I find it an odd read... one of those reviews where the conclusion doesn't quite seem to match the body of the review.
He describes his dismay that his rectifier tube kept arcing on startup, which he said Coincident describes as "a normal event."
His review unit then kept blowing fuses and had to be shipped back to Coincident. The problem turned out to be a failed filter cap.
He lauds the unit for its exceptionally dimensional sound stage, but says that the lows and mids fell short of his Primaluna DiaLogue Premium. He then starts tube rolling, and after replacing the Chinese EL 34's and the 6SL7 with Tung Sol's, he feels the amp starts to show what it can do, although he cautions that because of the amp's 10.2 ohm source impedance off the 8 ohm taps, speaker matching is crucial. On his Basszilla DIY speakers (odd choice for a review!) he found the tonal balance "distinctly lightweight."
In the end, after a digression on the psychology of perceived value vs. price in the field of wine connoisseurship, he concludes that the Dynamo "may not always yield the most accurate tonal balance, but the crux of the matter is foot-tapping musical bliss."
Your thoughts?
He describes his dismay that his rectifier tube kept arcing on startup, which he said Coincident describes as "a normal event."
His review unit then kept blowing fuses and had to be shipped back to Coincident. The problem turned out to be a failed filter cap.
He lauds the unit for its exceptionally dimensional sound stage, but says that the lows and mids fell short of his Primaluna DiaLogue Premium. He then starts tube rolling, and after replacing the Chinese EL 34's and the 6SL7 with Tung Sol's, he feels the amp starts to show what it can do, although he cautions that because of the amp's 10.2 ohm source impedance off the 8 ohm taps, speaker matching is crucial. On his Basszilla DIY speakers (odd choice for a review!) he found the tonal balance "distinctly lightweight."
In the end, after a digression on the psychology of perceived value vs. price in the field of wine connoisseurship, he concludes that the Dynamo "may not always yield the most accurate tonal balance, but the crux of the matter is foot-tapping musical bliss."
Your thoughts?