From John Atkinson:
"In the time domain, the Sophia's step response (fig.7) reveals that its tweeter and woofer are connected in positive acoustic polarity, the midrange in inverted polaritywhich is what is needed, in conjunction with the phase shift provided by the crossover, to ensure that the outputs of the drive-units add to give a flat response in the farfield in the crossover regions."
So my question is, if you have to invert the polarity of the midrange driver to balance against the steep crossover, what impact has that done to the complex harmonic content that provides timbre accuracy? A flat frequency response won't help if this fundamental aspect of speaker design isn't intact.
"In the time domain, the Sophia's step response (fig.7) reveals that its tweeter and woofer are connected in positive acoustic polarity, the midrange in inverted polaritywhich is what is needed, in conjunction with the phase shift provided by the crossover, to ensure that the outputs of the drive-units add to give a flat response in the farfield in the crossover regions."
So my question is, if you have to invert the polarity of the midrange driver to balance against the steep crossover, what impact has that done to the complex harmonic content that provides timbre accuracy? A flat frequency response won't help if this fundamental aspect of speaker design isn't intact.