Jim,
Here is an example.
Take a classic famous well respected "hall of fame" type speaker like the Wilson Watt Puppy 7.
Look at the two distortion plots at 90 db SPL and at 95 db SPL (top curve is output SPL and bottom curve is THD+N SPL)
Notice that as the sound level is raised by 5 db SPL the distortion components increase by much more (8 or 9 db SPL)....this is always the case, even on great speakers such as this. The higher the output levels (towards realistic live sound) the relatively greater distortion ...until eventually the distortion becomes audible (and perceptively very loud). This point will vary for each system of amplifier and speaker but generally even small systems can be made to be perceived as sounding very loud (but in a small system it is mostly the harshness of distortion and not ACTUAL SPL level that gives the impression of loudness)
Here is an example.
Take a classic famous well respected "hall of fame" type speaker like the Wilson Watt Puppy 7.
Look at the two distortion plots at 90 db SPL and at 95 db SPL (top curve is output SPL and bottom curve is THD+N SPL)
Notice that as the sound level is raised by 5 db SPL the distortion components increase by much more (8 or 9 db SPL)....this is always the case, even on great speakers such as this. The higher the output levels (towards realistic live sound) the relatively greater distortion ...until eventually the distortion becomes audible (and perceptively very loud). This point will vary for each system of amplifier and speaker but generally even small systems can be made to be perceived as sounding very loud (but in a small system it is mostly the harshness of distortion and not ACTUAL SPL level that gives the impression of loudness)