Why are hi-end active monitors not more popular?


I was just curious why more home systems don't utilize active monitors from hi-end manufacturers. Dynaudio, Focal, PMC and Genelec to name a few seem to have very high value offerings that, on the surface, appear taylor made for a simple system. Just add a cd player with volume and balanced outs or a hi-end dac connected to a music server. Pros and cons are appreciated. A home consumer version seems to have already made it to market in the NHT XDs system. I haven't heard the NHT system and would appreciate your comments.
ghasley
Shardone,

What does IMD sound like? Could this be what everyone describes they hear through passive crossovers? Apparently, having an active crossover feeding an amplifier for each driver could provide advantages over the amplifier feeding a passive crossover and then the driver?

Maybe this absence of IMD is what everyone in the ZU Druid/Definition camp describe as being missing from their listening experience. Comments.
IMD just does not sound at all like music. It is the complete opposite to harmonic distortion such as you get from mechanical drivers and clipping of tube amps (which can sound pleasant and may be totally indistinguishable from actual music...in short a matter of taste)

IMD happens when you have two signals intermodulating...say for example you have a woofer which is playing a kick drum or bass guitar playing with copious amounts of energy required at 85 Hz. Inevitably any transducer has inertia or mass (recall damping factor) and the amplifier is always fighting to keep the cone in the correct position. The effort placed on the amplifier is taken up by the power supply. Slight variations in power supply voltages due to an over demanding draw on current in the LF may affect reproduction of higher frequencies by the amplifier. (Typical challenges for an amp would be a reflex port designed to increase bass extension that causes a huge and sudden drop in impedance at a specific frequency...worse case might be a port at 85Hz on a small monitor with amazing bass sound or that reviewers describe as sounding like a bigger box speaker!)

The net result is that the simulataneous reproduction of the 85 Hz signal and a 1000 Hz signal (with natural harmonics of 2000 Hz etc and up) may cause the amp to output 1000-85, 1000+85, 1000-(2*85), 1000+(2*85) Hz etc. These sounds are totally unrelated to anything musical and sill stick out like a sore thumb (even if they are 20 db or more below the main signal levels)... at the very least they raise the noise floor but more often then not it means the mid range lacks clarity or sounds positively distorted in extreme cases. Simply turn up your amp until it clips heavily and you get the idea (in the extreme of course).

Better mid-range clarity, less harshness and an effortless sound is how I would describe a reduction in IMD distortion. (It is probably the reason that huge amps with massive power supplies are so popular even with modest speakers. It may also explain why horns are popular and known for dynamics and clarity - as they are generally an easier load on the amp. It may also explain why active subs are popular....by taking the heaviest load away from the main speakers' amplifier you get better clarity in the mids and there is a tendency to play music louder because it sounds sweeter or less harsh even at higher levels.)

Unfortunately, a single driver also suffers from amplifier induced IMD as the amp is still driving the sound across a broad range of frequencies and therefore difficulties caused by an impedance drop or difficult load at some frequencies may cause amplifier strain and IMD distortion in higher, more critical frequencies of the mid range.

However, any speaker that presents a very easy load to the amp such as a compression horn will likely benefit from less IMD.

Speakers with extreme bass extension (tuned reflex ports for bass enhancement) usually provide a difficult amplifier load and simply trade off great bass performance for less mid range clarity. This may explain why some veterans in the audiophile world will shun passive speakers with amazing bass extension down to 20 Hz in favor of a better mid range sound with less bass...there are two camps it seems on this particular point and a single driver limited range speaker is definitely in the camp of prefering better mid range sound at the expense of extremes in sound reproduction. An active three way is essentially like having three single driver speakers except that each of the three drivers operate over a very much narrower frequency range where reproduction may be optimized and where amp stress in music reproduction at certain frequencies (especially LF) will remain constained (through active filters and physical separation from other drivers) in a much narrower band; the end result is that it is much less audible (none of this is rocket science and this has been well known for decades, however, active speakers remain mostly relegated to professional applications so the "cons" continue to out weigh the "pros" in the audiophile world)
Shadorne,

Thanks for the reply and I appreciate the answer. Its all beginning to make some sense and the case for actives at least dictates further exploration.

I must admit I'm afraid to ask you the time for fear of discovering how a watch works. For instance, where is the one guy in the world with the absolute reference gear that measures a true and accurate second? Do you think we can get THAT guy to fix IMD and Jitter? LOL. Peace.
I must admit I'm afraid to ask you the time for fear of discovering how a watch works.

I am an Engineer and also studied heavily Physics at College ...fortunately I took a great job rather than the PHD scholarship in my final year....I might never have escaped academia and probably would never have been able to afford a hi-fi hobby if I had stayed there!

Opening things up, reading text books, and trying to understand how things work in every detail is what Engineers and Physicists tend to do. Of course, understandably, it makes most people YAWN and turn away. So go ahead and YAWN!

Thomas Dolby "She Blinded me with Science" seems to capture the Jekyl and Hyde personality that Engineer's must struggle with all the time; on one hand deeply feeling the emotion (in this case music) yet on the flip side (get pencils and calculator out) it is all just tubes and wires, biology, geometry, machinery...


"Good heavens Miss Sakamoto - you're beautiful!"
I -
I don't believe it!
There she goes again!
She's tidied up, and I can't find anything!
All my tubes and wires
And careful notes
And antiquated notions

But! - it's poetry in motion
And when she turned her eyes to me
As deep as any ocean
As sweet as any harmony
Mmm - but she blinded me with science
Shadorne,

I hope you realize i was just giving you a hard time. i for one appreciate the time people like you take to educate all of us. Just like college, it is absorbed by some, not by others. There is so much snake oil in our hobby that is can be truly aggravating. Thanks for attaching some true science to what it is we are hearing.

As far as actives go, no one on this thread has been able shoot any valid holes in the science of why an active monitor is not a better solution. I have read some answers on this thread that basically refer to tone controls. In other words, if an active monitor of very high quality is inherently more accurate, with less distortion and more lifelike dynamics than a similarly priced seperates setup, then what would I get to change. Others appear to want to adjust the tone to suit their tastes. All of this is fine and well but then why not just get tone controls? Kind of humorous. I like tubes, I like solid state, I like digital and I like analog. But those who are certain their approach is absolute are absolutely wrong.