wellll, you do sound frustrated by the tone of your inquiry.
as far as i'm concerned, ultra-high-end audio results in two things (sound wise)- surround sound using just two loudspeakers, AND, textural detail, which is present on ACOUSTIC RECORDINGS for the most part. i used to play clarinet in my public school nerdy days (in the band), and my first instrument was wooden and everything, but it cost about $125, and sounded okay for a beginner, which is what i was. when i got to high school my parents, seeing me practice alot without being asked (prodded), bought me a Buffet R-13, which is about as nice a clarinet as you could want (about $400 back then- now they cost 4X as much). rich, chocolaty tones emanated from the bell. the whole tube of polished grenadilla wood vibrated under my fingers. my intonation (pitch) got ALOT better, and i could hit high notes that sounded clean and pretty, not like a controlled squeak anymore. that's textural detail, and you feel it in your body at the same time as your ears take it all in. we also had kettle drums in the back of the band-room, and when the music called for them it seemed the ROOM SHOOK with dynamic power they produced. the snares crackled, the bass drum made me hold onto my chair, and the cymbals would crash and shimmer starting from head level and opening up over the head of the guy playing them in a widening arc. then there was the brass section, the saxes, the sousaphones, etc. etc.
can your system send shivers up your spine? do you keep having to mumble to yourself "jeez that's good"? does time and space loose its hold on you often while listening?
then you have something special, and a pioneer receiver and a pair of plywood speakers will "rock you" but they're not going to take possession of you (without some good weed anyway- who cared back then- no one i knew had any money anyway...) well that's my schpiel, and i'm sticking to it.
as far as i'm concerned, ultra-high-end audio results in two things (sound wise)- surround sound using just two loudspeakers, AND, textural detail, which is present on ACOUSTIC RECORDINGS for the most part. i used to play clarinet in my public school nerdy days (in the band), and my first instrument was wooden and everything, but it cost about $125, and sounded okay for a beginner, which is what i was. when i got to high school my parents, seeing me practice alot without being asked (prodded), bought me a Buffet R-13, which is about as nice a clarinet as you could want (about $400 back then- now they cost 4X as much). rich, chocolaty tones emanated from the bell. the whole tube of polished grenadilla wood vibrated under my fingers. my intonation (pitch) got ALOT better, and i could hit high notes that sounded clean and pretty, not like a controlled squeak anymore. that's textural detail, and you feel it in your body at the same time as your ears take it all in. we also had kettle drums in the back of the band-room, and when the music called for them it seemed the ROOM SHOOK with dynamic power they produced. the snares crackled, the bass drum made me hold onto my chair, and the cymbals would crash and shimmer starting from head level and opening up over the head of the guy playing them in a widening arc. then there was the brass section, the saxes, the sousaphones, etc. etc.
can your system send shivers up your spine? do you keep having to mumble to yourself "jeez that's good"? does time and space loose its hold on you often while listening?
then you have something special, and a pioneer receiver and a pair of plywood speakers will "rock you" but they're not going to take possession of you (without some good weed anyway- who cared back then- no one i knew had any money anyway...) well that's my schpiel, and i'm sticking to it.