Clement Perry's new reference speaker


I just got finished reading on the Stereo Times website a review of the Sunny Cable Magistic reference speaker by Clement Perry who is the publisher/founder of this website.

These speakers retail for $90000.00 a pair, they are a horn based speaker design. Mr Clement's reference was the highly regarded Dali Megaliners, untill he tried these in his home system.

I have never anywere read or talked to anyone who has ever heard Sunny Cables wires and speakers, only on the Stereo Times were they are quite impressed by this line of wires and now this reference speaker.

So, my question to you GON members, have any of you ever listened or auditioned Sunny Cable wires or their line of speakers, if so thanks for sharing
teajay
Hey all......The issue of room correction hovers above any analysis of my system by those who come through here. Heck, it has taken me quite some time to come to a few conclusions.

1-It is called room correction, not speaker correction. There is no way on this earth I could get the Dynaudio's to sound like the Sunny if given a decade to make it happen. If there is a problem with the speaker, it will be there no matter what.

2-I am always willing to bypass correction. It still sounds great, if narrower, smaller and brighter among other effects. It is with a bit of time the education takes place and the benefits become far to important to ignore.

3-I have had a few people come through who own serious contemporary gear. The response to the sound has been a state of shock. Not because the sound was a little better here or a bit more transparent there. The sound with the Sunny/behold combination offers something I had never heard before, any were, from any other combination of gear.

4-When I hear every speaker on the planet in my room and have had time to get the best out of them, I will declare the Sunny the best. Until then, I will have to stick with the saying the Sunny is the best I have heard.

As for motives and entanglements, there are many, too many manufacturers out there that thought we were "aligned with them" as a result of writing positively about their gear and or the willingness to advertise on the site-only to be snapped into reality when we honestly found something better suited.

Thanks Speedy for the kind words, you are welcome any time.
Greg/Stereotimes.
In some cases room correction can change the sound so much that is unrecognizable. In some cases for better. And in less skilled hands for worst. The sound You are getting through the use of RCS (I am not exactly sure what it is that You/Clement use at the moment and with which options/features) is far from the original (by-passed) reproduction. It all depends on the product You use to perform the correction duties, but my recent (bad) experiences with RCS that I thought was beneficial and estential to the peak performance of my system made me rethink its value to the whole concept of room acoustics. It could have been due to the fact that the unite was simply speaking outdated and inadequate to the rest of my not to fancy system. Or maybe I just have grown out of it.
Another possibility is that my present room is not as bad as my other rooms from the past. Its acoustic properties are quaite OK.
Last time I have had some friends over we used it in the system for the first time in months and it was just plain horrible. Robbed it from the details and transparency. It was one component in the chain too many.

Don't get me wrong, I am a believer in room acoustics and importance of controlling the interaction of the room & speakers. But the tools have to be carefully chosen for the job. Both You & Clement had obviously did your homework and your present system (intentionally or accidentally - doesn't matter) seems to greatly benefit the Sunny speakers set-up. How different from the CES 2008 is it?
I am not sure........but I though You said:
"It is called room correction, not speaker correction. If there is a problem with the speaker, it will be there no matter what."
and if it is true, they should not sound all that different in your set-up (of course in by pass mode - no RC). But if the difference is huge, You must admit that something else has to be responsible for it. If You shad a little more light on your set-up, maybe we could figure it out??? What it is, that made them sing the way You describe (and others).

In your last post You said few things that most audiophiles and I would consider rightness and honest....
I just hope it is sincere.
Mrjstark........I'ts obvious you give this stuff a lot of thought. But sometimes it comes down to experiencing the gear discussed.

Even with the electronics I had before the behold and sunny, I had a hard time grasping what Clement had been trying to communicate to me about his experience. Yet when I got the Bbehold, and subsequently the Sunny, I gained the understanding.

This is by no means a criticism as I just described my self in the same dynamic.
Best, Greg