Have you heard the latest Merlin VSM-MXe speakers?


Have you heard the latest Merlin VSM-MXe Speakers? — "Wow!!!" That's what I said after setting up these wonderful and beautiful speakers and listening for about one minute to a very familiar CD. I mean straight out of the box with only about 8 hours of playing time at the factory they simply overwhelmed me! Where have they been all my audiophile life? Why did I not find Bobby Palkovic's masterpiece before now?

How could he make this kind of music with two drivers in not so big, but absolutely drop-dead gorgeous piano black lacquered, cabinets, and an electronic box called a 'Super BAM'? I don't know! Wow!!! In my 50 years of putting systems together... including such speakers as double KLH-9 and Martin-Logan electrostatics... Fulton Premiers... the biggest of the Magneplaner speakers with the four bass panels... Wilson Watt Puppies with the Whow... and, on and on. Merlin VSM-MXe's are the BEST!

I've had them breaking in for 10 days now, and they have compelled me to listen to one favorite CD after another into the wee hours of the night. They are so musical! They have just the right texture... female vocals have that "slobber" factor... strings twang with all the nuances. They are coherent and transparent... and, oh so dynamic! The soundstage is deep and wide with the right height. And, when you close your eyes they simply disappear, leaving you with the people and the instruments performing right there in your living room. They make music!

Folks, don't ever listen to these speakers if you can't buy them... you will be sick until you can. Bobby, you did it!

I first purchased the Merlin TSM-MMe Monitors about one year ago after a respected dealer told me I should try them. I was totally satisfied with the sound, even though I was missing a little on the bottom end. They are the best monitor speakers I've ever had. But, I kept thinking, "If the TSM's are this good, how could the VSM's be so much better?" So, I just had to see... you know... the audiophile thing.

If you have never had Merlin speakers, the TSM's are a good place to start, and they will wet your appetite. But, just know that one day, as I was compelled to do, you will have to step up and get the big ones. They are complete! You will instantly hear what you have been missing in other speaker systems.

Now, I can sit back, relax, and enjoy the music. It's all there!
Skooks
skooks
howard,
a great speaker can play any kind of music, period. doesn't matter if it is classical, jazz, bluegrass, rock, electronic or heavy metal. the most natural will make any of the music types sound more natural too. now if you want a speaker to act as a tone control for different recording qualities, we do not do that as you know.
best,
b
Yeah...I know. I just remembered that I was "Merlinized/Merlinified" 10 years ago. Long Live The Magic!
paul,
he is getting some new audio reasearch gear as far as i know, i can't wait to hear what he thinks of it. had a chat with him about the fila but he had already gone in a different direction.
best, b
On VSM Amplification....

Since the thread has moved onto partnered amplification, I 'll share a recent experience. Disclosure: this tale winds a bit.

I regularly use 3 speakers: recently upgraded VSMs, Verity Parsifal Encores, and Sonus Faber Cremonas. Until recently, the SFs were powered by an ARC LS25 and VT 130SE in my living room. The P/E and VSMs share time upstairs in my music room (still a work in progress) mostly driven by a pair of Cary 805.

A recent decorating project moved the ARC electronics upstairs as part of a spouse mandated "clean-up" project. In my experience, he SFs are remarkeably forgiving of electronics and I left them hooked up to my Sonos zone player - a piss poor 50W integrated/networked digital source that is small enough to meet the new decor standards. Sure enough, it sounded surprisingly good, until the volume went up. Then, the forgiveness stopped.

Maybe there's a stylish cheapish, amp out there -with sufficient current and WAF to fix the problem. I decided to try some small, lacquer finished 125W SS mono amps called the TAD Hibachis - in home trial, $1300, not much to lose. And it worked like a charm - much better than I was looking for - but, as it turns out, maybe not quite small enough to meet the decor requirement.

Rather than return them straight away, I brought them upstairs where the Merlin (as usual) was hooked up. The Hibachis looked good next to the black lacquer VSMs, so I figured I'd give it a shot. (I understand the heresy of SS amplification with the VSMs, but this was mainly just for curiosity.) In short, the result was very educational.

IMHO, The Cary has the best bottom end of any SET amp that I've heard. But the little TADs completely (and I mean completely) transformed the bass response of the VSMs. Anyone who worries about insufficient bass from the Merlins shouls at least try a high output SS amp to establish a benchmark for the speakers' bass capabilities. I'm not recommending this combo - you definitely lose some mid-range "magic" - but you'll learn something important about the capabilities of the VSM.

Next, I'll try the TAD w/the Veity P/E and see what happens. In the meantime, it seems with one small "risk free" purchase, I've managed to screw up 3 systems. The SF still has no power amp. I need to find a better mate for my VSMs, and the Verity P/Es have 2 avbailable amps for part-time duty.

Key lesson here - the VSM keeps surprising me with its ability to reveal the character of everything in front of it. Almost a year after the upgrade, I'm still enjoying this speaker immensely.

Marty