Have you heard the latest Merlin VSM-MXe speakers?


Have you heard the latest Merlin VSM-MXe Speakers? — "Wow!!!" That's what I said after setting up these wonderful and beautiful speakers and listening for about one minute to a very familiar CD. I mean straight out of the box with only about 8 hours of playing time at the factory they simply overwhelmed me! Where have they been all my audiophile life? Why did I not find Bobby Palkovic's masterpiece before now?

How could he make this kind of music with two drivers in not so big, but absolutely drop-dead gorgeous piano black lacquered, cabinets, and an electronic box called a 'Super BAM'? I don't know! Wow!!! In my 50 years of putting systems together... including such speakers as double KLH-9 and Martin-Logan electrostatics... Fulton Premiers... the biggest of the Magneplaner speakers with the four bass panels... Wilson Watt Puppies with the Whow... and, on and on. Merlin VSM-MXe's are the BEST!

I've had them breaking in for 10 days now, and they have compelled me to listen to one favorite CD after another into the wee hours of the night. They are so musical! They have just the right texture... female vocals have that "slobber" factor... strings twang with all the nuances. They are coherent and transparent... and, oh so dynamic! The soundstage is deep and wide with the right height. And, when you close your eyes they simply disappear, leaving you with the people and the instruments performing right there in your living room. They make music!

Folks, don't ever listen to these speakers if you can't buy them... you will be sick until you can. Bobby, you did it!

I first purchased the Merlin TSM-MMe Monitors about one year ago after a respected dealer told me I should try them. I was totally satisfied with the sound, even though I was missing a little on the bottom end. They are the best monitor speakers I've ever had. But, I kept thinking, "If the TSM's are this good, how could the VSM's be so much better?" So, I just had to see... you know... the audiophile thing.

If you have never had Merlin speakers, the TSM's are a good place to start, and they will wet your appetite. But, just know that one day, as I was compelled to do, you will have to step up and get the big ones. They are complete! You will instantly hear what you have been missing in other speaker systems.

Now, I can sit back, relax, and enjoy the music. It's all there!
Skooks
skooks
Dgarretson, you don't hear a difference running the BAM into a tube pre buffer compared with it running into an amp after the pre? Or are you saying it is good enough, so don't worry?
arkio,

no 3 or 4 ways planned.

"I don’t think I want to have to add subs. I think at that price range you should be able to get a decent speaker that can do it all very well."

i really can't offer an opinion on this forum about this because it would most certainly cross the line. if you want to call me at the factory i will tell you what i feel about this and what you may miss. 585 367 2390
d, you are are correct of course but imho, the sbam sounds better buffered by the tube line output stage of the pre.
m, using the bam between the pre and power to have multiple functions is still a whole lot better than not using the bam at all. sometimes you have to do what you have to do.
best,
b
Tabl10s,

Reviews probably aren't my thing, because I tend to qualify my opinions to the point where I'm not sure they're really useful for evaluation purposes. I will offer descriptive accounts though, and to that end I compared the Merlins with the Verity a bit on a thread called "My Merlin upgrade experience". To recap and expand a bit on those comments:

IMHO The VSMs and P/Es are 2 wonderful speaker systems, each among the best performers I've ever heard - again, qualified by my preferences. (I'd call my Cremonas very, very good speakers). The Merlins are more revealing - for better and worse - of what's infront of them. Better, because that's the point of the game (at least in one respect). Worse, because so much of the stuff in front of them is revealed to be lacking-particularly recordings, and more paricularly rock recordings.

The P/Es are wonderful, musical, and pretty revealing in their own right, just not to the same degree as the VSM. The Cremonas are the least transparent, most forgiving of the three. They are both warm and alive with a bit of a bump in the presence range to offfset the bump in the upper bass. Even mediocre records tend to sound decent on the Cremona, and for this reason they are probably a very good choice for many people.

The Verity walks the middle ground - just a smidge warm of neutral. The VSMs have evolved from slightly lean (SE) to damn near dead neutral (MX) IMHO. To my ear, the MX with the current BAM, sounds an awful lot like old Quads seamlessly mated to a very good subwoofer with extention to +/- 30 hz.

Since I had the Merlins upgraded, they have pretty much replaced the P/Es in my main system. When I do switch over to the Verity, I enjoy what I hear. The sound is different and may show a new "take" on a recording that is surprising and pleasing. But the truth is, thus far, I usually flip back to the VSMs pretty quickly. I could certainly live happily with either, but I live more happily with both.

Marty

PS - Bobby, at some point I'll rationalize all my stuff (i.e shed some gear) and then figure out the best mate for my VSMs. I'll be sure to check out BEL.
Pubul57,

I tried my modded BBAM in the tape loop of my previous preamp (BAT VK5i) and noted little difference as compared to BBAM placed between tube pre and tube amp. My system is balanced end-to-end, but as my current tube pre (Atma-Sphere MP-1) offers only RCA on the tape loop, I can't really use the BBAM there. But more simply I'm saying that the BBAM sounds damned fine between tube pre and tube amp. Bobby of course is a perfectionist. He is the culprit who called attention to issues that led me down the mad trail of modifying my BAT VK75SE until it perfectly complemented the VSMs.