I'd also add reliability as a requirement . . . because it's no fun cranking it if you're overly worried about blowing something up. So if it's a traditional passive speaker you're looking at, you'll need a powerful amp and/or one with very dignified clipping characteristics. For this, it's hard to beat a big McIntosh amp - they have a ton of headroom, and they're virtually impossible to drive into serious clipping.
Most of the professional main studio monitors will do just what you're asking - I have personal experience with ATC 100s, JBL 4430 & 4435, Urei 813s, Westlakes etc. in studio control rooms that were all really exciting, dynamic, and smooth at very high volumes. Even some of the nearfields like the Meyer HD-1 will crank up amazingly well. The flip side is that all of these speakers work best when they're very carefully set up, and room acoustics are under control - just like in a studio. That and some of them (esp. Ureis, Yamaha NS10s) have a upper-midrange boost that many engineers actually like . . . probably an homage to the old Altec 604 that was the standard for so many years.
You might also check out the upper models of B&O speakers - they're all active, multi-amplified designs like professional speakers, but they're designed for a typical domestic environment. The BeoLab 5s in particular play extremely loud and very clean - but you might need to take them home to really hear what they sound like. I actually have a pair of early-1990s B&O Pentas that I use with my video system - they're really fun to listen to at loud volumes, and I can personally attest to their durability. Pretty damn reasonable on the used market, too.
