I can only speak to your first topic. You need to remember what the things were designed for, and that was not music in the home. They project exceptionally well, with not much subtlety, but very efficiently. Just the thing for filling a theater space. IMO, they're hard to beat for reproducing the horns in the triumphal march in Aida.
The sectorial horn was available in two sizes, 511B and 811B, with 500 and 800 Hz crossovers, respectively, though both used the 802D driver. The low frequency driver should be an 803B.
As a stab at topic 3, the actual A7, as I knew it, was pretty much an open box with the LF driver mounted at the end of a small front loaded horn, a sort of quite open bass reflex arrangement below, with either the 511B or 811B and 802D mounted on top. There were so many of these in commercial use that I would expect servicing to be available.
We used A7s mostly in the lab, but I did have one at home for some time.
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The sectorial horn was available in two sizes, 511B and 811B, with 500 and 800 Hz crossovers, respectively, though both used the 802D driver. The low frequency driver should be an 803B.
As a stab at topic 3, the actual A7, as I knew it, was pretty much an open box with the LF driver mounted at the end of a small front loaded horn, a sort of quite open bass reflex arrangement below, with either the 511B or 811B and 802D mounted on top. There were so many of these in commercial use that I would expect servicing to be available.
We used A7s mostly in the lab, but I did have one at home for some time.
db