Subwoofer damping


I didn't no whether to post this in the speaker or tech forum, but I'll ask my query.

I have a very large subwoofer which has 2 16 inch drivers. I fired this baby up today after having it in storage for many years. I played a reference recording of Frederick Fennell's Pomp & Pipes. Well I set the crossover pots at 10:00, 6 being the lowest and 5 highest. Everthing was ok till there was some low and I mean low frequency with plenty of dynamics. I could hear the drivers make a girgle sound that came out the 4 vents in the cabinet.

I can't recall if I've heard this before and I'm thinking that I need to add additional damping material. Doe's anybody supply speaker wool anymore? I can't imagine overdriving this thing....I think my house would collapse...so adding more material seems might help. Any speaker tech's with answers would be appreciated.

Roger
wavetrader
The box is still abnormally huge for a typical driver of the size -- i.e. two drivers in a shared 14 cu. ft. enclosure is theoretically the same as two drivers, each in their separate 7 cu. ft. enclosure. If the port lengths/sizes are different for each woofer enclosure, and/or the volume of each enclosure is substantially different, then the woofers/enclosures are tuned differently. But from your description of this as a "stereo" sub, that's probably not the case, and your stuffing difference is probably arbitrary.

I would recommend that you figure out the exact model of the drivers in your box, and download a software speaker-box simulator like WinISD. You can then use the software to get an idea about the effect of the size/tuning of the box versus the driver, and how they interact . . . WinISD Pro also has some rudimentary tools for predicting maximum cone excursion and stuffing losses, so you can study these effects by means other than simply trial and error.

Once you're familiar with some of the lanugage and parameters, you can then approach the designer to figure out whether or not he was smoking something when he built it . . . and maybe exactly what he was thinking.
Oh and for a crossover, an Ashly XR1001 is a great place to start. They're WAY better than the cost suggests, the manual is very well-written and explanatory, and it's made in the US . . . not like the cheap Behringer crap.
Once you're familiar with some of the lanugage and parameters, you can then approach the designer to figure out whether or not he was smoking something when he built it . . . and maybe exactly what he was thinking.

I 'll say thanks......but do you really know everything.
I suspect Wavetrader's designer knew what the heck he was doing. Seven cubic feet per woofer sounds quite reasonable to me; back when the estimate was twenty cubic feet per woofer I had my doubts.

Duke
Kirkus,

Couldn't agree more...I use the Ashly 3.24 CL and love it. It replaced a Blah...eringer.