whenever a designer voices a product in a certain way, it incorporates an intended characteristic. as i understand it, that's coloration.
coloration is either intentional or unintentional.
at any price point, it is almost impossible to create a product having no audible sonic signature. it is unrealistic to expect otherwise.
thus, choose your coloration wisely. configuring a stereo system is an art of balancing intended and unintended coloration to achieve a sound that pleases the listener.
personally, i prefer a rear hall or laid back perspective, but i realize orchestral recordings are not engineered that way.
coloration is either intentional or unintentional.
at any price point, it is almost impossible to create a product having no audible sonic signature. it is unrealistic to expect otherwise.
thus, choose your coloration wisely. configuring a stereo system is an art of balancing intended and unintended coloration to achieve a sound that pleases the listener.
personally, i prefer a rear hall or laid back perspective, but i realize orchestral recordings are not engineered that way.