The closest approach...really

GG

Sheer power/large scale dynamics was the main thing I was driving at. In the case of the MBL, you can add a certain sense of dimensionality to the imaging (particularly a soloist in front of full accompaniement) that is different, and for me, more convincing than Quads (or anything else).

If you've got Quads well integrated to a sub, I wouldn't have any advice for you. The Quads aren't perfect and I don't know of any way to change that. But, for all I've said about MBL, I'd personally take a great Quad/Sub set-up first, because I prioritize for certain things (particularly octave to octave balance) that the MBL doesn't shine on. I was merely pointing out that your phrase "the closest approach" begs the question "to what?" Sounds like you're on a good road for your priorities.

Good luck,

Marty

GG
I have no trouble with what Marty has pointed out to you. Actually I agree with him almost completely. I have owned Quads plus subs for practically more than 20 years, have in search of more power duplicated, triplicated even quadrupolated them, because I could not get their almost perfect timbre with cone speakers, absolutely hated the sound of a big MBL system, probably badly set up, as completely unnatural and settled on the big Sound Labs as a compromise. If you are used to the almost perfect musical timbre which ESLs are able to produce for almost all voices and instruments, you are spoilt for life. So be careful, you might stop there...(:

Newbee:

Oh yea, old von K, no audiophile I would say, music-lover yes but that had third place. First his love for power, second his vanity. Excellent business sense and very dangerous if crossed.
I also live happily in the stone age. Never really left it in actual fact.
Cheers,

Detlof,

Funny you chose Soundlabs as your "compromise". I have reached the same conclusion: If I go with ESLs, they'll be Soundlabs (or is that "Sound Labs"?) for the same reason. Now I just gotta figure out where to put 2 giant panels and I'm all set.

BTW I believe that MBL is a uniquely "love 'em AND hate 'em" product. What they do well is important to me and they do it better than any other speaker I've heard, However, the stuff that is very important to me, they do unacceptably. Love 'em AND hate 'em. Ultimately, won't buy 'em.

Marty

Marty,
It is Sound Labs, however www.soundlab-speakers.com. (: and yea, they do squash the room sort of and we better not speak of the WAF problems they might stir up. However they are absolutely perfect for infield listening, throw a great soundstage where they disappear in...and they are STATORS. ((:

All right, guys, my main takeaway from this very interesting thread (beyond the philosophical questions we've been discussing) is that I am probably stuck for a long time here (although I really like the way the Gradient Helsinki look, not to speak of some Sonus Faber's and one day or another I might give it a try...). I still have some tweaking to do with the electronics -- my power amp, the EAR 890, is just superb, but the preamp, an old SS Klyne, may not be the best fit. Looks like a Shindo preamp might be my next upgrade.