Ankar: I would suggest the following ( and you likely will get a lot of responses to your question). (1)Yes, bring your own music. Bring the music that you listen to and are familiar with. Bring several selections - try to choose different items from those that you own that (a) have a good deal of bass (b) have a good deal of treble (c) vocals - if you listen to vocals (d) music to be played loud (e) music that you would play at lower volumes. (f) something with a piano - as that is not the easiest sound to reproduce. These do not necessarily have to be different items. Examples include but are not limited to Mozart Piano Concerto # 25,, Beethoven's Eroica or Ninth, vocals (Carmen -Janis - Dylan), Rock (Who live at leeds, Stones - get your ya ya's out). The idea is to see what the speaker sounds like at low volumes and high volumes, how it reproduces the different sounds, and whether part of the spectrum is overemphasized. An alternative approach to this is to buy discs that are designed for the purpose of testing a system or are well known to be very good recordings that will push a system to its limits- that is not my approach but I would imagine others can offer advice in that area. (2) realize that a speaker that dramatically impresses you may have a quality that grabs your attention immediately but that quality may get old when listening for extended periods - hence (3) listen for a while, at least fifteen minutes at an absolute minimum and come back on more than one occassion to relisten to the speaker. (4) As to what to listen for - I personally look for (a) whether one aspect overpowers the others - does the bass dominate etc, (b) what happens at high volumes - do the high frequencies get 'screechy' sounding? (c) Does it lose detail at low volumes? (d) Does all music 'sound the same' i.e. is there a quality of the speaker that adds to the music to a significant degree, or 'colors the music', (unless that is what you want) (5) Warranties on speakers - 5 years seems about average - but that has never been a big factor that I have considered - I'd be fine with a year - other responders may have more info in that area. (6)Your last question about tube or ss amplification is a very very good question. The answer depends in part on what you are going to use to drive the speakers and what kind of sound you are after. My view is if you are after accuracy and stability go with SS, if you want to tailor the sound or are looking for a richer fuller harmonic content, that is probably better achieved via tubes, at a loss of accuracy. With reference to my earlier mention of coloring the music - I have found that this is more likely to occur with tube amplification, independent of the speaker. Therefore, listening to speaker A with a tube amp and comparing that to speaker B with a SS amp may not be the best way to determine how the two speakers really compare. (7) Since you brought up amplification - keep in mind that, particularly as to higher volumes or large orchesteral pieces with a great deal of range (the difference in volume between the least loud part of the symphony and the loudest), the power available from the amplifier will have a significant impact on the sound. Also the quality of the amplifier as shown by its specifications is a factor. It would be a mistake to listen to speakers driven to high volumes by a 500 watt amplifier with very low total harmonic distortion (THD)(say .0005%) and think that you can get the same sound by driving the speaker with a 100 watt amplifier with .05% THD. In the second instance, you will run into distortion problems from 'clipping' the signal at the speakers which is unpleasant sounding (at least with SS) and potentially damaging to the speakers. )(8)Finally, keep in mind that salesman have many different reasons for directing you to one speaker or another - such as the profit margin and/or what they are trying to get out of their inventory. You are engaging in an arms length transaction, so use common sense as in any other area; take what the salesman say with a grain of salt.
Speaker Purchase
When I was in college, a neighbor who'd done well on Wall Street gave me a pair of Bose 901's when he upgraded to something else. Around that time, I purchased an Adcom GFA 545II (100 WPC into 8 ohms), and an Adcom Preamp. I also have a (now performing erratically) Carver CD Player. These components were acquired around 20 years ago and I'm now feeling they, well, are harsh sounding. In part, I've come to my own conclusion about this, but the feeling has been reinforced by hearing some friends' systems (Classe, McIntosh), and hearing the profound difference. I'm obviously not an Audiophile (though I love nice gadgets), and I admit to being fairly lost when reading reviews. I totally get the 'soundstage' concept, and I get the 'fatiguing' concept (because that's what my system does to me after a short while).
So, I've decided to upgrade, and I'm humbly asking for some advice. I've decided to spend under $10K, over a couple of years, and to start with new speakers. I would like to keep the cost of speakers under $5K (including reasonably decent cables and tax). The other $5K has to get me an integrated amp, CD player and turntable. I've so far noticed and think I would like to audition the following speakers: (1) PSB Synchrony One; (2) Vienna Acoustics Beethoven Baby Grand or (3) Concert Grand; (4) Sonus Faber Grand Piano Domus, and (5) B+W 804S.
The room these will go in is quite large and irregular. The room itself is 22'X25' with 20' ceilings. Ceiling and floors are concrete. One (left) wall has four 14' windows, one (ahead) wall is sheetrock, the wall against which the system will be placed is brick, and the right side opens to more space. The floor has a 12'X15' sheepskin, and the wall of windows has floor to ceiling drapes. But, my point is, the space is large, open and reflective.
I tend to listen to lots of music types: opera/classical, classic rock, alternative. The system is not intended for home theater (I have another room for that). I won't have a specific 'listening chair', so the quality of the sound can't be heavily dependent on my specific location vis-a-vis the speakers.
I'd greatly appreciate any advice--keeping it real--about what to listen for, what to avoid. I'm in NYC, BTW, so I have retail options. Thanks very much.
So, I've decided to upgrade, and I'm humbly asking for some advice. I've decided to spend under $10K, over a couple of years, and to start with new speakers. I would like to keep the cost of speakers under $5K (including reasonably decent cables and tax). The other $5K has to get me an integrated amp, CD player and turntable. I've so far noticed and think I would like to audition the following speakers: (1) PSB Synchrony One; (2) Vienna Acoustics Beethoven Baby Grand or (3) Concert Grand; (4) Sonus Faber Grand Piano Domus, and (5) B+W 804S.
The room these will go in is quite large and irregular. The room itself is 22'X25' with 20' ceilings. Ceiling and floors are concrete. One (left) wall has four 14' windows, one (ahead) wall is sheetrock, the wall against which the system will be placed is brick, and the right side opens to more space. The floor has a 12'X15' sheepskin, and the wall of windows has floor to ceiling drapes. But, my point is, the space is large, open and reflective.
I tend to listen to lots of music types: opera/classical, classic rock, alternative. The system is not intended for home theater (I have another room for that). I won't have a specific 'listening chair', so the quality of the sound can't be heavily dependent on my specific location vis-a-vis the speakers.
I'd greatly appreciate any advice--keeping it real--about what to listen for, what to avoid. I'm in NYC, BTW, so I have retail options. Thanks very much.
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- 15 posts total
- 15 posts total