Johnk, the goals of cabinet construction for a string instrument and for a speaker are subtly different. . . a luthier uses the entire case of the instrument as a mechanically active amplifier. . . As such laminates like timber plies make for inferior student instruments because they lack the ability to propagate/amplify mechanical vibrations, not to talk about particle board which simply is anathema in cello/violin construction. The top of a cello is usually made from carved and finely graduated thin spruce. . . the bottom plate from almost equally thin maple or poplar. . . the two are mechanically coupled by an oaken post. . . . then of course there is the coupling to the strings through tailpiece, neck, and elastic maple bridge. The instrument is incredibly light and thin-walled, and vibrates and rings like it's going out of style. I haven't seen too many speakers that attempt to do the same. Hence, invoking the Cremonese masters is effective markcom, but. . . G.
What is your favorite material for loudspeakers?
So what is your preferred choice for loudspeaker cabinet materials and finish? Veneers, Laminates,Metals, Carbon, Solid hard woods, Partical board, birch plywood. Plastic coats,Plastic,Aluminum, Paint,Lacquers, French polish, Oil? So pick your cab material, veneer or other, finish choice what even you like? For me birch plywood with veneer and french polish. Whats your choice?
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- 54 posts total
- 54 posts total