Powerstudio,
You appear to be working at quite low SPL's (far less than 70 db). At lower levels it should be nearly all midrange and as you go higher in SPL the treble and bass should become more prominent. Something is indeed unusual or plain wrong.
Try to run some tests at different SPL levels (what you mix at and what "sounds good") to see what you are experiencing in your room with your gear.
This may help you confirm what you have described - right now I think a ported speaker with more bass output is on the cards.
FWIW: Another angle to pursue is that the Cranesong Avocet is described by Bob Katz as being similar to Benchmark DAC1 - this suggests soft or 'missing' lower midrange (according to benchmark manual that is what most people perceive the DAC1 to sound like compared to other DAC's).
FWIW2; See Equal loudness curves. Notice how bass and lower midrange (500 Hz) drops in sensitivity as you go to lower SPL's (from 70 to 20 db SPL) - relative to the all the other frequencies.
You appear to be working at quite low SPL's (far less than 70 db). At lower levels it should be nearly all midrange and as you go higher in SPL the treble and bass should become more prominent. Something is indeed unusual or plain wrong.
Try to run some tests at different SPL levels (what you mix at and what "sounds good") to see what you are experiencing in your room with your gear.
This may help you confirm what you have described - right now I think a ported speaker with more bass output is on the cards.
FWIW: Another angle to pursue is that the Cranesong Avocet is described by Bob Katz as being similar to Benchmark DAC1 - this suggests soft or 'missing' lower midrange (according to benchmark manual that is what most people perceive the DAC1 to sound like compared to other DAC's).
FWIW2; See Equal loudness curves. Notice how bass and lower midrange (500 Hz) drops in sensitivity as you go to lower SPL's (from 70 to 20 db SPL) - relative to the all the other frequencies.