Bassheads-DSP important????????Velodyne SMS??

Personally, I like the Velodyne Digitial Direct series that offers low distortion and a lot of power (class D) and can be automatically calibrated to your room or manually set using the suppplied connection cables to your TV so you can see peaks and dips.

I listen more to music than HT and sometimes I use the sub and sometimes not with music but when dialed in correctly, it is seemless with my 803D B&W's. I have the DD-12 (used to have the DD-15 but was a little much for music) and it performs both music and HT duties well in a 7.1 system.

For years, I put up with boomy, one-note bass from a Def Tech PF15 in my combo 2-channel/HT system. Thanks to this board, I have added both a Paradigm X30 sub controller (for level and phase adjustments) and a Behringer 1124P FBD Pro with parametric digital EQ. The results after tweeking the Behringer were dramatic. Properly used, notch filters can turn a mediocre sub into a good one.

That said, I have since added a pair of Vandersteen 2Wq subs to my system, to augment the mains (Vandy 1C). What I have learned from this upgrade is that if you start with a good design, DSP or notch filtering is not as critical. With these subs (which have adjustable Q), blending with the mains (at least in my case) was easy and seamless. Bass is quick, taught, musical and powerful. There is no bloat, boom or sense that the sub is there at all; everything seems to come from the mains. These subs sit in corners (they are designed to be placed in corners), and my room is pretty lousy from an acoustic standpoint. Again, the difference is in the engineering. Richard Vandersteen looked at how most consumers will use a subwoofer, and designed it appropriately. More than just putting a big cone and an amp in a box. That's my $0.02 - YMMV.

I just want to add to Shadorne's reply about small vs. big woofers. I've played bass guitar professionally, and what I've noticed is that while small woofers may give you more resolution of the notes, its always the big woofers that give you the slam and visceral "feel of electric basses, as well as more of the body of the upright bass or cello, or the low pedal notes on an organ. Velodynes use an accelerometer to control the woofer, which can give you better "control" of a woofer's timing, thereby not hanging on to the notes too long. Shadorne is correct that room treatment may get you farther than DSP where bass is concerned.A compromise may be to use a ten inch woofer rather than an eight or a twelve. Hope some of this helps--Mrmitch