Consider purchasing "The Sheffield Drum and Track Disc,"
Good suggestion - you can also get this on XRCD from Japan (they used the original master tapes which were made at the same time as they made the Direct-to-disc masters). The nice thing is that the first two tracks offer different examples of tuned drums. This way you can have a feel for where you system sits dynamically and how "tight" your bass is. Of course it would help to hear these tracks on a SOTA system to train yourself how it sounds.
Other tracks are, as suggested above, Chesky's Rebecca Pigeon "Spanish Harlem" with its nicely spaced bass lines - listen to see that all bass notes are of equally loudness (very useful for checking the critical 50 to 80 Hz range).
Other great drum tracks are: George Benson "Weekend in LA" Live "On Broadway" with Harvey Mason on drums. Also Keb'Mo's albums seem to have well recorded drums (unusually they have preserved the drum kit dynamic range on many of his tracks whereas typical rock/pop will crush drums with compresion/limiters). Another (but slightly bass heavy) great sounding CD is Dave Grusin "Hommage to Duke" - listen for balance in the bass riffs.
I'd also recommend funk music due to the heavy importance of drums and bass in this type music. Nils Landgren Funk Unit playing "Da Fonk" is a great one for the bass - very articulate. On the pop music side Peter Gabriels "Sledgehammer" has great bass which can be overpowering if you get it wrong but can sound "goldilocks just right" if you get your bass acoustics adjusted well.
If you get the bass right you will also find there is more depth to the soundstage - perhaps because you hear the lower midrange better and the "ambience" on the recording comes through.
When you listen to music and something sticks out ( say a particular bass note) then you have to ask yourself if it was intended or is a result of an incorrect setup. Usually recording engineers are msuicians and they try to keep everything in balance...
Nevertheless it takes a while to adjust to get used to "real" bass which can be subtle and understated. I
