Can you get "bookshelf sound" from a floorstander?


Listened to B&W's 6 series and much prefered the 686 and 685 to the more expensive floorstanders. I'm a junkie for clear and coherent vocals and the floorstanders seemed to muddy the sound.
Listened to Dynaudio Focus 110s and loved them. Compared them to the Contour 5.4s and I loved the top end of them even more than the Focus' but was again bothered by what I want to call an incoherence... lack of focus... integration... with the low end.

Owned Totem Arros and Dreamcatcher monitors with Dreamcatcher sub and prefered the dreamcatcher monitors over the Arros and without the sub, too.

Am I just a bookshelf guy? Was it my choice of floorstanders? Setup? Anyone have better words to describe what I'm trying to say? I certainly love the low end and dynamic grunt of the big ones but not at such expense.
128x128eyediver
9rw,

I'd say that frequency response is FOR ME much, much more than half the story, but your point is taken...to an extent. The idea that any single deviation from thoretically perfect neutrality in any ONE respect can be deemed equal to another deviation in a different respect is simply not true on the face of it. Deviation from flat on-axis frequency response versus power response versus bandwidth versus dynamic compresssion can't be quantified to measure relative importance.

To your 3 specific points: coherency in 1st order x-overs, large systems, and dynamics:

1) First order analog crossovers cause drivers to significantly overlap in their operating ranges, a condition which presents it's own issues. If phase perfect response is half the story and frequency response the other half, why aren't you using a room corrected, digitally crossed system? These speakers will typically deliver near perfect in-room frequency and phase response, and any event will blo away your system (and mine) on these parameters.

Note also that the crossovers in these devices will typically be designed for super HIGH order operation, specifically to avoid the problems associated with first order crossovers. I assume you don't go this way because FR and phase response together are NOT the whole story.

2 + 3) Properly designed large systems have greater capability? I don't entirely follow. Large cabinets often mean more bass capability, but that's no free lunch, either. More cabinet often means more cabinet coloration, impaired imaging, etc. If you mean 3 way systems are superior to 2 way systems (assuming extended bandwidth), that's a mixed bag, too. You may get more dynamic capability, but usually at the EXPENSE of the coherence of a 2 way system (additional x-over and driver).

Also, if you really want to maximize dynamics, your sub should be crossed in much, much higher than it is (and shouldn't be a REL). However, I'm gonna guess that you object to the integration issues of higher x-over frequency and chose REL for it's superior "speed" (group delay performance). I'd go the other way EVERY TIME, but that doesn't make me right, either.

Look, you like what you like because you have your priorities. That's cool. But don't confuse the "greater capability" of a large system with superior "sense of realism" in any given room. That is an overstatement.

Marty
Sorry all.

Got involved in the debate at the expense of the OP, but won't go any further. At $1k, I'll defer to Tvad, the Prelude is a good call.

Marty
Eyediver,

You may just be "monitor person"

Some floor standers worth a listen that I thought sounded especially "coherent" and right in the price range you suggest (under a thousand used [or new?]).

Totem Arro (OK, you already rejected these)
Quad 21L2
Dynaudio Audience 72 or 72SE
Paradigm Monitor 9 (new, large, truly remarkable for money)
Monitor Audio RS6
> Can you get "bookshelf sound" from a floorstander?

Sure, but note that

3-way designs can have double the parts cost of 2-ways since the bass drivers are expensive, the mid-range needs to be a band-pass instead of a low-pass, and the low cross-over frequency calls for bigger reactive components. Where retail markups mean 'decent' but not exceptional parts put a $2K per pair price-tag on 2-ways you're looking at $4K a pair.

A floor standing two way is long enough to have audible resonances from standing waves within it and is likely to have larger areas of unbraced cabinet (Siegfried Linkwitz suggests no more than four square inches of unbraced panel).
Marty: No offense, but unless you've published papers in peer-reviewed journals, I don't think there's a whole lot you can teach me about audio. I've been at this a long time, have heard hundreds of high-end systems and am a trained musician. I have a pretty good idea of what live acoustic music is supposed to sound like.

Your comment about the REL sub is totally unfounded, for example, as REL used to make a fine product. My Von Schweikerts operate full range and have plenty of dynamic capability. REL doesn't use a crossover between the sub and the main speakers. I've gone that route with other subs and hated the results.

My guess is that you prefer a pro audio high impact kind of sound instead of the refinement and purity that I demand. To each his own.

As for Eyediver, the Totem Arro is hard to beat for about $800 used. It is simply amazing at its price and in some ways makes it hard to justify purchasing speakers costing a lot more.