"So the tweeter being limited has only the benefit of increasing placement options. "
I believe increasing placement options for most users is the intent of OHMs design decision to attenuate the omni sound levels in wall facing directions. The tweeter being omni or not would not matter because I would assume they would/could be damped easily as well if desired.
There are several benefits of the more conventional tweeter used in the OHM Walshes compared to the original OHM Fs and As, which, other than the GP Unicorn, are the only designs I know of using only a single wide range Walsh driver:
1) lower cost
2) greater durability
3) higher SPLS possible without damaging the driver
The disadvantage is that the conventional tweeter does reduce sound stage size somewhat. I can hear this when I adjust the tweeter levels on my F-5s. The soundstage expands slightly and becomes more transparent at lower tweeter levels and appears to shrink somewhat and become less transparent at higher tweeter levels. At any level, soundstage and transparency is extremely good however.
Another disadvantage which does not really matter much in my opinion is that you will hear a slight but noticeable roll-off of the very top end if you stand behind the speakers. Coherency is not affected however which means you can listen from almost anywhere with mostly just a change in perspective in relation to the instruments and recording tracks within the soundstage.
" Is there a price to be paid in sound quality for the ease of placement? "
I think the price to pay might be the depth of soundstage at least compared to mbl, as Marty suggested.
Never heard Morrison or Dueval so I cannot speak to those, though I've heard good things about both. Both use more conventional drivers compared to OHM, mbl, or GP, but in a unique configuration for their omni sound, I believe.