There is a lot more going on in the middle these days in film sound tracks than in previous years. It isnt merely simple dialogue unless you are into vintage films.
Good center channel speakers will prove this out. Ive seen in various articles regarding loudspeaker makers HT over the top, demonstrations, using all the same loudspeakers
. Fronts, center, and rear! I recall a BW demo where they used all 802Ns. Super.
Discarding momentarily my propensity for being quite anal and looking to the more practical side of life, I am not buying 5 of anything that costs $6.5K each! OK so shoot me. Ill turn in my card. I wont even buy 5 $4K speakers! Or 5 $3K speakers. Sorry, just being anal again.
That is the issue. We dont live in a perfect world and overkill usually isnt the province of every HT-o-phile.
Truth be told, one doesnt have to buy all the same speakers to gain a very good to great sounding theater experience. Primarily due to price, and adjacently, space limitations, smaller units for the used to be oh, by the way sounds that films asked middle and surround speakers to reproduce for that imersive event, are the order of the times. Those BTW sounds are becoming not so by the way sounds any more. Likewise the auxiliary 3 5 speakers arent as inconsequential as they once were.
The quest then becomes matching them all to timber.
Having a center is better than not having a center unless it is well off the voicing parameters of the ones to either side of it. It can and does work where the center unit compliments the mains versus being identically voiced to them.
I set cut offs accordingly. If center and surrounds in my system are capable of 40Hz
thats where Ill set their cutoffs. If its 65 or 80Hz, I set them there. Sorry Mr Lucas
you do your thing, Ill do mine.
Adjusting up the cutoff serves to change the perspective of the films soundtrack by migrating the sound fields bass impact geographically.
THX is aimed directly at mass fi buyers. Turn key operators. Plug and players. Folks who use primarily quite limited range loudspeakers.
Bass management is for the more enthusiastic HTer which requires better performance and has wider range reproducers on hand to cope with in his or her array. If one makes just pretty good choices in speakerage, youll be better served by using it to address each speakers needs individually. Naturally, one can of course, simply season to taste, the subwoofers influence.
There is very little if anything in audio and video which is created equally. Top to bottom, front to back
the same goes for sound tracks. I believe the notion is that we enjoy the fruit of our efforts so the consequent journey becomes either shortened or expanded due to our own points of view and levels personal satisfaction.
For the less discriminating yet still prideful owner, equalization will be a great benefit ordinarily. For the picayunish HT aficionado, tone equalization will be less a need and more a choice as closer voicing in speakers will be evident. Only room anomalies will confuse things there afterwards.
Dig what you got, get what you can, and dont fret over what others want you to have. Adjust accordingly thereafter. Youre likely well ahead of many.
Very good luck.