2. amps-preamps
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Another

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It's time to move up in my system. I'd appreciate some amp recommendations, as I haven't heard too many amps, and have little knowledge of some of the nuances involved in making a decision. Field testing amps is also difficult where I live.

My system is Magnepan 3.7 speakers; (2) Vandersteen 2wq subwoofers; Mojo Audio Mac Mini feeding a PS Audio Directstream DAC, straight to amp. No preamp. (Transparent ICs, Shunyata Triton, Anaconda PCs, DH Labs and Silnote SCs.) The current amp is a very fast and very powerful Class-D switching amp with tons of headroom.

The system is noiseless, clean, precise, detailed, neutral. The soundstage is huge, holographic, and immersive. Live recordings are the bomb. Sometimes it seems a bit sharp or harsh, but that's often the recording or the room. Overall, soft and sensuous, it ain't, but I can hear every note and breath.

I've heard some denigrate a different switching amp -- "I can hear the switching." This from a tube guy. I'd prefer not to get into any Class-X wars.

A local dealer is suggesting I look at Bryston, a classic match for Maggies, I'm sure, but he also suggests that the Bryston can be somewhat two-dimensional. His solution is a Levinson 532H, which he holds as more three-dimensional than Bryston.

Or, he has a demo Acoustic Research Ref150. Somehow, I doubt I'd like to go with tubes, due to the sonics, the expense, and the 'hassle' of dealing with tubes.

All of the prices mentioned are more than I'd like to spend, but I've gotta deal with that part of it.

So, I'd love to hear recommendations.

And... how does one audition amps when they live in an area of so few B&M audio stores?

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rhanson739
rhanson739 OP
269 posts
 
@ Scott_w How kind of you to point out that it was a "sloppy mistake." Thanks. Actually, the title got butchered because it had quotes in it. Everything after the first quote got tossed.

@ Guidocorona Good questions. As for my current amp, it has been a bit problematic and I'm tired of dealing with it. My ideal amp would have great detail, but no glare or etching. I don't want it overly smoothed out, though, and have left tubes in my past. What's a budget? And... blues, classical, folk, live performance, etc., etc. A pretty wide range.

All others... thanks for the suggestions. I'm building a list of things to try.
guidocorona
4,298 posts
 
Hi Rhanson, in other words.... What is your upper spending limit on the amp project? I have a few amps in mind from some of my favorite manufacturers that I am confident have more than enough grip in the lower impedance handling required by Maggies, but it all depends on your spending expectations.

Guido
rhanson739 OP
269 posts
 
Guido --

I quite wish I didn't feel compelled to move along, but, I do.

I've been quoted between $9-13K for some solutions. That would hurt a bit, and probably represents my absolute upper range.
guidocorona
4,298 posts
 
Hi Rhanson, I have a couple of good ideas... I'm going to make a couple of phone calls and find out if the amps I have in mind match your Maggies for power handling, and whether they can come within your pricing needs... Will let you know soon.

Guido
stickman451
553 posts
 
Take a good look at the Carver Black Beauty 305's or maybe even the smaller Cherry 180's. I have tried MANY amps on my 3.6's, and now my 20.7's; you will not be dissappointed!

The 305's drive my 20.7''s to Loud Levels in my larger than average room that is 17.5w x 26L x 9h. They never stress or run out of gas. They are 3D to the max, beautiful in the middle range, tight and impactful on the bottom. The top is a bit tubey compared to the average SS amp, not quite as extended overall (but that is a good thing on much of the 1960's music I listen to). You can tweak the top also by experimenting a bit with the 12AX7 input tubes (one per side).

Search the web for the reviews of the Black Beauties by Jonathan Valin and Dick Olsher; both are very informative and worth reading.
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