Another


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It's time to move up in my system. I'd appreciate some amp recommendations, as I haven't heard too many amps, and have little knowledge of some of the nuances involved in making a decision. Field testing amps is also difficult where I live.

My system is Magnepan 3.7 speakers; (2) Vandersteen 2wq subwoofers; Mojo Audio Mac Mini feeding a PS Audio Directstream DAC, straight to amp. No preamp. (Transparent ICs, Shunyata Triton, Anaconda PCs, DH Labs and Silnote SCs.) The current amp is a very fast and very powerful Class-D switching amp with tons of headroom.

The system is noiseless, clean, precise, detailed, neutral. The soundstage is huge, holographic, and immersive. Live recordings are the bomb. Sometimes it seems a bit sharp or harsh, but that's often the recording or the room. Overall, soft and sensuous, it ain't, but I can hear every note and breath.

I've heard some denigrate a different switching amp -- "I can hear the switching." This from a tube guy. I'd prefer not to get into any Class-X wars.

A local dealer is suggesting I look at Bryston, a classic match for Maggies, I'm sure, but he also suggests that the Bryston can be somewhat two-dimensional. His solution is a Levinson 532H, which he holds as more three-dimensional than Bryston.

Or, he has a demo Acoustic Research Ref150. Somehow, I doubt I'd like to go with tubes, due to the sonics, the expense, and the 'hassle' of dealing with tubes.

All of the prices mentioned are more than I'd like to spend, but I've gotta deal with that part of it.

So, I'd love to hear recommendations.

And... how does one audition amps when they live in an area of so few B&M audio stores?

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rhanson739
Guido you are funny. Do you agree that the S2 runs a little warm to the touch compared to other Class D amps? It's not a problem to me, but it does make me wonder if JR is doing something different with Class D that gives it the power and musicality that many Class D amps simply don't have?
All those class D advantages you like w softer top end ..try an ARC D250 M or even the stereo model. Not the last word in 3D but a fine amp. Also the Hybrid 220 has a lot of merits and can be had used for less than half of the numbers you are talking...
I am a bit biased to ARC as i have that brand preamp.
You might also try Ayre but make sure up to task w money back or demo...
A big Mac can also be revealing w vise like grip.
Does anyone know of someone who could provide a in-home demo of the Rowland Continuum S2?
Rhanson739, no harm intended. I am finding it odd, that in your original post, you did not mention the need to replace your amp, because of faulty and reliability issues. The amp, on a sonic standpoint, seemed to do everything you wanted an amp to do for you. Unless I missed something in my readings, you withheld the name of the amp manufacturer( not critical), although you mention it to be a very powerful Class D amp. Without the use of a preamp, via your associated equipment listing (also mentioned by Bigkidz), you might be running into an impedance mismatch, or, too low of a voltage gain, this amp requires. I understand the reasons of not using a preamp, but I also understand the benefits of using one. I am just wondering, if, Magnepan, knew of your problem/situation, as well as the amp manufacturer ? I do not know of any of the new, very large, Class D amps available, based on my readings, that would not drive your Maggies. Even some of the high powered Class D pro amps should drive them. How they sound, that is another story. Thank you, Mr.D