How much am I missing with SL1200 mk2?

Uncledemp, you're right; the Anthem phono stage has a good reputation and adding an external phono stage complicates things--in added cost, compatibility, appropriate interconnects, and even shelf space.

It may be something to keep on a back burner until later. In the meantime, you have a really powerful integrated amp, a good (at least) phono stage, and a list of upgrades and tweaks for your turntable. I think it's best to do the upgrades and let them settle in to see what you have before going on to something else.

It may be that the tweaks and upgrades mentioned in this thread will totally ring your bell, and if you throw in another phono stage you're complicating things until you're not sure which part is doing what.

I posted earlier I went down the upgrade path .. its not worth it. The money is better spent on a TOP vintage turntable. You also don't need a new tonearm many vintage tonearms are excellent. ie superior to the SL1200 tonearm.

If you go down this path if you don't like it you can sell it and most likely get your money back.

If you go down the SL1210 upgrade path if you go to sell it will be hard to recoup more than a base SL1200 is worth.

I think the underlying problem with the SL1200 is the rubber plinth and none of the upgrades mentioned above address this.

Johnny, SP10 cost under $1000 (used) and compete with $10 000 turntables, Teak Wood plinth for it cost $700 new, the rest is tonearm and cartridge.

Upgrading SL1200 is waste of money, i have done so with my two SL1200 ( rewired tonearm with cardas $25, changed external cable to Zu Audio Mission $150 used, fluid damper about $130, isonoe feets about £150, i have not replaced the arm cos it's another $450-1000 depents on the arm, you can also buy external power supply and lose more money on it)

It's a waste of money, better to sell the deck and buy a proper Hi-End SP10 mk2 and keep it forever!

I have to admit that(as I remember it) I thought the Technics SP10 mk2, I heard on the needle drops, was more competitive with the best turntable sound I heard there(Pink Fish Media). In addition, the SL 1200 had some mods(one improved the table for sure.). The question is cost and getting an arm, I guess. If you go the SP 10 route, I still suggest you audition, to see if it satisfies you.

Guys,

Again, a lot of great info, thanks. Unfortunately, I don't have a background in electronics and am unable to maintain/repair vintage gear. If the 1200 weren't so hardy I would not have it.

At one time, I traded in and out of a fair amount of vintage gear. Once I had some well regarded pcs, I would read how good the units would sound if I would bring them up to spec via, recap, power supply rebuild, etc. Point well taken- but my bargains would lose some luster after a thorough going through. Not to mention not having a personal relationship with someone I trusted to do the work. The honest guys out there seemed swamped and if you were lucky enough to get them to do the work- it may take months.

I just looked into some discussions on the SP10, and read the units would need to be brought up to spec to sound as good as it's younger brother SL1200 mk2. (Unless I read something wrong.)

I've never had any high end vintage turntables, but if it is labor of love, I better pass. Just don't have the skill and patience.

If the 1200 died today, I'd probably go buy a Rega table with Rega headshell and install 3 screws and be done. Otherwise, I'd be wearing a paper protractor out to check alignment one more time!

I know it may be blasphemy - but I use the Technics overhang gauge on the Sl1200! Hopefully, we are still friends...

Thanks again,
Gary