"09-12-15: Nonoise
Z, you're quickly becoming the resident crank, if not already. Hyperbole is your vessel. You're as over the top with knee jerk reactions as anyone I've seen. It must be nice up there on Olympus throwing those (oh so hurtful, my, my) thunderbolts of wisdom."
I make no apologies for thinking and coming to conclusions that are different than yours, or anyone elses.
"How you came to the conclusion that my mind was already made up is beyond me. Quoting someone to add perspective doesn't translate to a closed mind. It's just another perspective added to the mix (keep your options open)."
I go by your words.
"I'm in no way going full Pete Aczel here but if you if you do match levels and don't clip the amp, the cables will make a bigger difference."
"Also, anyone can go to his website and see the many amps he's reviewed but the ABX comparator review came afterwards. I don't believe he's done an amp review since. There is a timeline here of sorts that would make it apparent to just about anyone who'd care to do a proper search."
You may want to take your own advice here and do another search. He did the ABX thing in April 2015. Heres an excerpt from an amp he reviewed in May 2015.
"Using the D’Agostino as an example of a component that makes an immediate impression in the best sense of the word, so does the Innamorata Signature, but in a very different way. So different in fact I had never really heard anything like it. No, the Wells Audio Innamorata Signature did not best the D’Agostino but it did reveal a bit of dryness in comparison. What the Innamorata has is a midrange and treble that is so creamy and liquid smooth without resulting in any darkness or muting. The overall effect is hard to describe. Textures are downright juicy, they are never harsh or overly bright. Horns in particular just pour out tone and texture. And vocals? Outstanding. Violin and Piano, two of the toughest instruments to get right are handled with such liquidity and proper tone, making for an incredibly seductive presentation.
The D’Agostino Momentum has a beguiling level of neutrality and resolution, particularly in the treble, resulting in every song unfolding into vast landscape to explore. There is simply more information passing through the D’Agostino. That said, the Wells Audio Innamorata Signature’s treble is so well integrated with the mid band making for a seamless presentation on par with the best, it leaves little on the table in the upper frequencies. Very sweet in tone, this is unapologetically beautiful sound. As for the comparison I have been making with the D’Agostino, I have not mentioned that it is nearly 5 times the price of the Innamorata Signature. As for choosing anything near the Innamorata’s price point I’m all over the Innamorata for center stage in my system."
I just don't see what kind of legitimate argument you can make after reading that. Like I said in my last post, this is the complete opposite of the claims made in the ABX test. Not only that, given that this review was published just a few weeks AFTER the ABX review, you would expect that experience to have at least some impact on his reviews going forward. Not 1 word is mentioned.
Z, you're quickly becoming the resident crank, if not already. Hyperbole is your vessel. You're as over the top with knee jerk reactions as anyone I've seen. It must be nice up there on Olympus throwing those (oh so hurtful, my, my) thunderbolts of wisdom."
I make no apologies for thinking and coming to conclusions that are different than yours, or anyone elses.
"How you came to the conclusion that my mind was already made up is beyond me. Quoting someone to add perspective doesn't translate to a closed mind. It's just another perspective added to the mix (keep your options open)."
I go by your words.
"I'm in no way going full Pete Aczel here but if you if you do match levels and don't clip the amp, the cables will make a bigger difference."
"Also, anyone can go to his website and see the many amps he's reviewed but the ABX comparator review came afterwards. I don't believe he's done an amp review since. There is a timeline here of sorts that would make it apparent to just about anyone who'd care to do a proper search."
You may want to take your own advice here and do another search. He did the ABX thing in April 2015. Heres an excerpt from an amp he reviewed in May 2015.
"Using the D’Agostino as an example of a component that makes an immediate impression in the best sense of the word, so does the Innamorata Signature, but in a very different way. So different in fact I had never really heard anything like it. No, the Wells Audio Innamorata Signature did not best the D’Agostino but it did reveal a bit of dryness in comparison. What the Innamorata has is a midrange and treble that is so creamy and liquid smooth without resulting in any darkness or muting. The overall effect is hard to describe. Textures are downright juicy, they are never harsh or overly bright. Horns in particular just pour out tone and texture. And vocals? Outstanding. Violin and Piano, two of the toughest instruments to get right are handled with such liquidity and proper tone, making for an incredibly seductive presentation.
The D’Agostino Momentum has a beguiling level of neutrality and resolution, particularly in the treble, resulting in every song unfolding into vast landscape to explore. There is simply more information passing through the D’Agostino. That said, the Wells Audio Innamorata Signature’s treble is so well integrated with the mid band making for a seamless presentation on par with the best, it leaves little on the table in the upper frequencies. Very sweet in tone, this is unapologetically beautiful sound. As for the comparison I have been making with the D’Agostino, I have not mentioned that it is nearly 5 times the price of the Innamorata Signature. As for choosing anything near the Innamorata’s price point I’m all over the Innamorata for center stage in my system."
I just don't see what kind of legitimate argument you can make after reading that. Like I said in my last post, this is the complete opposite of the claims made in the ABX test. Not only that, given that this review was published just a few weeks AFTER the ABX review, you would expect that experience to have at least some impact on his reviews going forward. Not 1 word is mentioned.