Rock: well recorded bass...60s/70s

Thanks Bill, I'll start looking around seriously now.

Ghosthouse---Loomisjohnson is absoluely correct. In the 70's it was cool to find Prog rock uncool, especially amongst the influential New York critics. The whole Punk movement was often said to be a reaction against it. Of course, fans of Prog may just as easily find Punk beneath contempt---they couldn't be more diametrically opposed! Those wanting Rock n' Roll to stay true to it's roots felt Prog was getting above it's raisin', as they say in Country. The claim of many Prog musician's of having beem "Classically trained" became a sort of red flag, ya know? Well la de da, Mr. Classically trained.

ELP were a despised group by every musician I knew in the Bay Area, but I saw Keith Emerson in his pre-ELP Group The Nice live at The Fillmore (along with Leslie West in his pre-solo Group The Vagrants) and found them interesting. Prog started with the Psychedelic movement, LSD making some people want to take the music where no one had gone before.

My personal favorite is Can where in all theri albums no exception the bass recorded and sounding top notch-- Holger Czukay or Reebop Kwaku Bah(played in Talking heads as well) on bass.
Certainly Talking heads -- Tina especially in the album Stop Making Sense
Rich bass is also heard in Van Der Graaf Generator, but from the Hammond organ instead of guitar or string bass
Stray Cats -- love that string bass dontcha?
David Sylvian and Japan with Mick Karn on Fender bass -- nearly all of Japan and solo David Sylvian albums have rich and deep sound of bass. I admit the band is kinda jazzy, but still considered to be art rock.
Finally why not Pink Floyd DSOM or Momentary Lapse?

A lot of recordings in the 60's were unable to capture a clean bass tone. Some of it was due to the hardware used, while others was due to the engineer. Nothing on the playback end can correct for this!

Loomis, Bdp - Ah...OK, understand the context. Well, as they say, "there's no accounting for taste." I came of age late 60s/70s...lived through and survived them and (perhaps surprisingly) recall quite a bit from those years. Was a fan of Prog before it had a name. Was introduced to Yes & ELP by musicians who apparently liked both bands quite a lot. Being classically trained myself, I've always been attracted to music that blended rock with classical elements (e.g., Procol Harum). So, Loomis, w/respect to your (d) - you sort of do now. This is certainly not to say the genre didn't have candidates ripe for and deserving of balloon popping. I'll point out, however, that bands like MC5 (Kick out the Jams) and Blue Cheer (Parchment Farm is all you need to know) were Yang to my Prog Yin during these years. Didn't know I couldn't like both genres. I do get the reactionary elements behind punk but I'll take musicianship and musicality over attitude most days. If I want attitude w/music, I'll watch some videos of early Stones. BTW - Tales of Topographic Oceans might well be a terrible title but worse, the music is just not that good.

If you've not read it before, you might find the article at this link interesting.
History of Prog . Makes similar points as the two of you do.

Go check out The Nines' self-titled LP "The Nines". The one with Sun Don't Shine as Track 1. Digital only, I'm afraid. Crank it up. (Wish the drummer were better though).