Tube Amp for Martin Logan Speakers


Hi, I love tube sound through my Martin Logan Aerius-i fronts and Cinema-i center. I currently have a Butler 5150 which is a hybrid, but it busted on me and would cost $700 to fix. I've had china stereo tube amps that were pretty good and gave true tube sound, but not enough drive for higher volumes. I live in condo, so not like I can blast music anyways but still. I got the Butler because I wanted 5 channel tube sound for home theatre (The piercing sound from my Denon 3801 receiver was not pleasant to my ears). It appears there are only three multi-channel tube amps around, from Mcintosh, Butler 5150, and Dared DV-6C. The latter two are hybrids, and the last one was one of the worst tube amps i've ever heard. I have no clue why 6Moons gave the Dared a 2010 award, but maybe it's because it produces only 65W.

So since multichannel tube amps are hard to come by, and they tend to be hybrid, I was thinking maybe it would be best to get three true tube monoblocks to power my fronts. Thing is I wonder if they will be underpowered for my speakers, and not sure which ones are decent for the price. Maybe China made ones would suffice, and they still go for pretty expensive price. I'm wondering if anybody knows of a decent powerful tube monoblock that is affordable, because I can't pay $3000 per block. or maybe best to just repair my Butler. Thing is, I'm not confident that it is reliable. The tubes are soldered in which is weird, and i've taken it to a couple repair guys who both said that the design is not good, because it's very tight inside and more susceptible to being fried from DC voltage areas. it's too sensitive.

Any suggestions for tube monoblocks, even if china made ones? the holy grail for me would be Mcintosh tube amp, but they are hard to come by. Thanks.

smurfmand70
Hard to say Al, he's not said what phenomena he ran into with any specificity.

Paul Speltz is very supportive though and often has suggestions for how to sort things out should one run into problems.

A simple way to hear what negative effects they have, is to put them on an amp that has no problem driving a speaker.
Then you will hear what negative effects they have when they are in.

In my view they are interim fix, to allow an amp that has problems driving the speaker, to make it usable with that speaker. And I use the word "usable" lightly.

A owner is far better off getting the right amp for the speaker, or the right speaker for that amp to start with.

Cheers George
An informative review from HiFi World there Al, however from my own in-room measurements 92 to 96 db peaks were demanding 120 to 140 Watts of the amplifier, therefore I must say that I am somewhat sceptical of the reviews 'more than adequate' power recommendation of 50 Watts!
Do what the maker recommends.

It'll all work. It's just a matter of how well. The maker should know best what works best. Once you've done that, then you are in a position to try something different and see how that works in comparison. You never quite know what will sound best to someone, however its much easier to determine what will perform best from a technical perspective. Optimal performance is usually the best place to start. Where one ends up after that might still be different, but at least you know you started out on the right road.

If you need an adaptor, impedance or otherwise in order to make things work well, you probably did not start out on the right road.
hi everyone,
I had actually pose my opinion in another article, but I think this subject here is more suited and I wish senior members would share their valuable knowledge & experiences.

We had seen many varieties of impedance coupled with varying phase angles charts, especially from ESL speakers when they behave like a giant cap into high freq.
When some audiophiles describe tubes amp suit well for ESL, we are assuming the tubes would handle the voltage & current needed by the speakers optimally, at a certain range of frequencies. because, generally tubes cannot provide enough high current into magnetic coils when required for high excursion of speaker drivers into low bass and high frequencies due to same reasons too.

Now, I do not know how tubes behave given the ever changing phase angle in relation to impedance,(voltage leads or lags before/after the current), but I suspect that tube can offer more "fluctuation" or "more tolerant" to out of phase signals when required by the speaker to produce music. I believe tubes are naturally more "forgiving"(tubes can give more voltage without rising current) as compared to output transistors when facing these out of phase requirements posed by speakers, especially ESLs. I guess transistors usually have a tighter range to work with electrical signal. transistors are generally linear devices am I right? my bet is that transistors work best when voltage and current are output simultaneously(meaning linear), to provide the power needed by speakers, so if transistors need to work beyond its specification(non-linear, as required by out of phase angle signal), it would clip even before it reaches its full rated power(watt) regardless it is a single or multiple transistors trying to provide power into a given load.

base on above assumption, I perceive that tubes would better suited for ESLs but there are caveats, that's the songs the listener is playing should not contain low bass & high notes i.e. no punching bass, no high pitch like triangles or in harps, electric guitars etc.. (please also bear in mind tubes are slower in response, transistors are faster)

just my two cents