Elrog 300B vs Takatsuki 300B tubes


Has anyone heard the Elrog 300B tubes ? I read an article which mentioned that the Elrog 300B delivers 15% less power than a traditional 300B tubes. Can anyone confirm that it is audible ?

I am choosing between Elrog and Takatsuki 300B tubes. I would prefer the Elrog because it is cheaper and supposedly wonderful but if it really sounds less powerful then I have to rethink.
pani
Charles1dad and Joe, risk for hum is always there for AC heated GG, especially using high power amplifiers. Even in my current setup, I do get a faint hum through the speakers with my current stock of output tubes, but you have to have your ears 1 to 2 feet away from the speakers to hear it. Hopefully, the Elrogs will be similar. I was about to order a set of the Takatsuki 300Bs, but if the Elrogs work out, I may have saved myself $400. Times have changed. I used to think spending $200 for a pair of DHT triode tubes was a lot. Now that will get barely get you in the door.
Germanboxers, I think you'll be very happy with the GGs. My understanding is the circuitry for GG and Big 7 is exactly the same, just some more boutique/expensive parts in the GG. Mine is black faceplate without remote volume control, so it looks simple, elegant and beautiful with the copper chassis. There shouldn't be any issues if your Elrogs are working fine with your Big 7.
Elrog 300B's were dead quite on my Lampizator big 7. I still missed their sound very much! Sigh.

I do believe that Elrog and Takatsuki are the best current production 300B's. Takatsuki 300B's on Frankensteins and Voxativ reproduce the best treble that I can imagine. The flute sound is so sweet and delicate that it is almost unreal!
Charles, I was using the Luxman DA-06, along with the Melody P2688 line stage. Both are fantastic for the price, but going direct with the Big7 to the Audions gives even greater transparency, intimacy, ambient cues, and mellifluous midrange and treble tone. It's a little less impactful going direct, but all subtle inflections and micro dynamics are revealed so effortlessly that I just melt in my seat, confidently transported to the musical event where the recording allows. I'm digging it so much I decided to jump to the Golden Gate to see my if boutique parts applied to the same circuit can improve upon an already great sounding DAC.

I may eventually try Lukasz's 211 amps...I'm digging the Lampy sound!
Hi Jordan,
I think your Audion Golden Dreams would be a very tough act to follow. I understand your curiosity regarding the Lampizator 211 amplifiers, there's so much stellar audio choices available to tempt folks these days. I can imagine how much music listening enjoyment you're experiencing.
Charles,