The New Audio Research Reference 6


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Audio Research unveils its latest Reference Preamp.

Audio Research Reference 6 Linestage -

Expect to see a slew of the Ref5 models hit the used market over the next year. I plan to move up to a Ref 5SE as they hit the used market.
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128x128mitch4t
Oregonpapa,

ARC is banking on guys like you to support them with their continuous upgrades and new products. The only problem is the day will come when the musical chairs will stop.
Twenty years ago at CES, Ralph Karsten asked me what pre-amp I was using with his Atma-Sphere M-60's and old Quad speakers. When I told him an ARC LS-2B MkII, he said "My MP-3 is a lot more transparent". Now, you can say he would of course say that, and you may or may not agree with his assessment. If the MP-3 WAS more transparent than the LS-2B MKII, when was ARC able to surpass the MP-3 with a new pre-amp, and at what price? You would of course be correct in saying that this argument relies on the MP-3 in fact being more transparent than the LS-2B MKII, but for the sake of argument let's do so for the moment.

So, that was twenty years ago. Let's look at the difference between what owning an ARC pre-amp (twenty years ago an LS-2B MKII) and owning an Atma-Sphere pre-amp (MP-3) has involved. The MP-3 is now in Mk.3.3 designation, ARC being not the only company offering improvements to it's products over time. Ralph, however, has incorporated his improvements into the MP-3 as retrofits, not requiring the owner to sell his old pre-amp to get the new. How much has an ARC pre-amp owner had to spend, in comparison to the owner of an MP-3, to keep the sound quality of his pre-amp at a level comparable to the sound of the also improved MP-3? The LS-2B MKII owner may have gone the LS-15, then LS-16, then LS-25, then LS-26 route (ignoring for now the Reference level pre-amps), each time having to sell the old for the new, losing money each time. How much has the ARC owner spent to get from the LS-2B MKII to the LS-26? And after all that money spent, how does the LS-26 sound compared to the LS-2B MKII? ARC would have you believe that each and every new model has made the old sound now mediocre in comparison. After all the model changes, perfection should be just as close as the next new model! How does that LS-26 compare to the MP-3 Mk.3.3? And how much has the owner of the original MP-3 spent for all it's upgrades, to bring it to the current Mk.3.3 status? The answer is certainly far less than the ARC owner has spent to get from the LS-2B MKII to the LS-26. If the same reasoning is used including the Reference 1 & 2 pre-amps (which would require one to feel the MP-3 Mk.3.3 is their equal), this conclusion is even more true.

ARC owners tend to compare new, improved ARC products only to other ARC products, being ARC loyalists. Robert Levi has listened to the ARC Reference 3 side-by-side with the EAR 868, preferring the EAR. Again, you may or may not agree with his assessment. The 868 has not been changed in at least ten years, and is available used for around $3,000-$3,500. An ARC Reference 3 owner may have bought and sold any combination of LS-15, 16, 17, 25, 26, Ref 1, and/or Ref 2 to finally arrive with his current pre-amp, spending far more than $3,500 (or about twice that if an 868 is bought new) to do so. Is the price it costs to move up the ARC pre-amp line justified by the SQ one ends up with after that amount is spent? Or would a pre-amp shopper be better off going straight for a, say, EAR 868? Hey, I'm just askin'!
Mono and Stereo have two internal photos....blue board, additional tubes, hard to see volume ctl...

As a 5SE owner i welcome this. a static no innovation or incremental improvement company is probably dead.
...a static no innovation or incremental improvement company is probably dead.

BlackBerry owned the smartphone segment...rested on their laurels and didn't innovate. Their market share plummeted.
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Taters sez ...

"ARC is banking on guys like you to support them with their continuous upgrades and new products. The only problem is the day will come when the musical chairs will stop."

On the contrary Taters ... guys like me are banking on ARC to continue to upgrade their equipment and advance the state of the art so that the new technology will trickle down to their more affordable products. Hopefully, when ARC's musical chairs stop, I'll be listening to Golden Harps and Angels that play alto sax like Paul Desmond.

Bdp24 ...

Hopefully, Ralph has improved his products over the years as ARC has done. Around 20 years ago, I had a pair of M-60's on loan for about two years. They belonged to a friend and in some ways he and I prefered them to my ARC Classic 60. Because of my friend, we just kept the ARC amp out of the system for the entire two years. Ralph's amps had a beautiful midrange ... and I mean beautiful. But in comparison to the ARC Classic 60, the Atmosphere M-60's lacked bass and highs. The bass wasn't even close.

At one point (also over 20 years ago) I had the opportunity to hear Ralph's most expensive preamp (I forgot the model) in the system for two evenings. It was glorious. Way more musical, transparent and realistic than my ARC SP-14. But, that was in comparison to the SP-14, not the REF-3 or the new REF-6.

At the same time, we inserted Ralph's big mono amps into the system along with his best preamp. It was amazing. That was in comparison with the Classic 60 and Ralph's M-60's. I'd like to make that same comparison with my current amp, the ARC-REF75se.

As I said, all of this was over 20 years ago. Since then, I've had nothing but ARC gear in the system. I'll say this ... from memory ... If Ralph hasn't followed the upgrade path as ARC has done, then what I'm hearing in the system now would KILL Ralph's stuff. I suspect though, that Ralph has improved right along with everyone else. Ralph knows his electronics ... and he knows music. All one has to do to understand where Ralph is coming from is to visit his room at one of the shows. Hey, anyone who uses a classic Empire turntable to demo his equipment at the shows can't be all bad. *lol*

By the way, I have two of Ralph's private recordings in my collection. You want to talk realistic sounding recordings? Realism ... In spades! Like I said, Ralph knows his stuff.

Atmosphere, EAR, ARC ... ying/yang and hooray for tubes!

Happy listening ...