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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
rok2id's avatar
rok2id
7,859 posts
 
*****In regard to your statement about the audience, this wasn't that kind of jazz, it was more "cerebral",*******

CEREBRAL:
1 a : of or relating to the brain or the intellect b : of, relating to, or being the cerebrum
2 a : appealing to intellectual appreciation *cerebral drama* b : primarily intellectual in nature *a cerebral society*

Hell, no wonder I don't GET IT. Every since I had my lobotomy, (in a vain attempt to be able to hear wire), I have noticed Brubeck's music has lost it's appeal.

Now all is clear.

Cheers
rok2id's avatar
rok2id
7,859 posts
 
As always, The Frogman has restored order. I found nothing to disagree with in your comments on the 'last exit' clip. You explained it perfectly. Thanks for the info on the 'tenor clarinet' thingy.

My sense is that these guys play primarily for themselves. The audience / public can take it or leave it. I guess all artist play for themselves to some degree. I just think that the successful ones, make an effort to take the audience along with them on the trip.

****Music like this often walks a fine line between art and bullshit; the individual listener decides****

Well said!! Nothing to add to that!!

I will now read your thing on Desmond Blue. This might take a while, going back and forth to the clip etc... :)

Thanks for taking the time to be so thorough in your answers.

Cheers
orpheus10 OP
8,668 posts
 

Rok, I'm very happy that you are who you are. That word can make one a miserable person, and I will be adding more Gene Harris to my collection.

Enjoy the music.
rok2id's avatar
rok2id
7,859 posts
 
The Frogman:

Desmond Blue at 2:16 :) :) All I could do was smile and laugh out loud! The Frogman knows his stuff!!

The entire clip was good, 2:16, once I knew what to listen for, made it special. That's why these guys are great.

Thanks for the insight.

Cheers
learsfool
1,215 posts
 
Frogman, speaking of comments that have more truth in them than people realize, or are willing to admit:

****Music like this often walks a fine line between art and bullshit; the individual listener decides****

Love it. Still wondering if any of you have heard this Jack Teagarden guy (trombone). Haven't had a chance to listen to these records yet, hoping to tomorrow. They are billing him as King of the Blues Trombone.
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