Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Guidocorona, I have been involved with a pro guy in Canada for some years now and have had success with a heavily modified Mac Mini using JRiver MC 21 for a digital sound that easily surpasses what I ever heard on a cd player. I was playing double DSD files from SACDs and many cds ripped to my hard drives. Initially, he had made the Mac Mini think it was just iTunes playing but then Apple made the Mac Mini into a device that could run Windows 8. The later version moved to running the Mac running Widow 7.

Now he is seeking to reduce the latency of the computer, which entails abandoning much of the conveniency of iTunes or typical JRiver MCs organization. I have or had a new music server and managed to hear one cut before losing control of it. That cut was so outstanding and only rivaled by a quad DSD recording I heard at the RMAF that I am hoping to get the server back soon with some conveniences added. Both the one cut that I heard on this server and what I heard in the German Physics room quad DSD cut, were different than analog sources, but clearly their equal. Transient attacks were quite striking and bass control, realism, and extension were awesome.

I think that quad DSD is the wave of the future and that 44.1 and cds will be gone soon be gone. I really hope that my friend can get me a low latency music server with some ease of use. I'm also hoping that SONY makes their quad DSDs available in that format.
Matt, "analog" means different things for different people... For me it is only an engineering term without any positive correlation to what I seek to hear... Far too many times I have been in "analog" suites at RMAF filled with ecstatic gents listening to sound that ranged from turgid, to grating, to soporific, and yes on occasion... to mesmerizing... Just the same as in suites where the source was a digital one.

Hence, I do not call analog a sound that I inherently enjoy a priori... I call my goal sound harmonically complex, linear, and mesmerizing... But "analog" per se is not for me associated with dopamine or oxytocin rush flow.

Hi Norm, I have no doubts that digital technology continues to make strides in a variety of different and equally valid directions, and so most likely does analog reproduction.

G.

Hi CalvinJ, after a few years of happy ownership, I am still very much in love with my Vienna Die Muzik... Totally effortless, with fantastic stage and extension, and all those fine things that I like to call rich complexity, and bass to die for -- provided your room is large enough to avoid bass over-exhuberance. Can Die Muzik be bested?

Yes of course, by Matt for example, who has discovered an uber Die Muzik in his Dynaudios.

And of course by anyone who prefers a different sound signature instead.

Saluti, G.
Guidocorona. One a few could stop de musik it's a wonderful pleasing speaker.oh so musical. Vienna acoustics rich and textured