Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
No prob at all Ctsooner... For next time you are on an integrated hunt... Continuum S2 is the cute 35 pounder with vestigial cooling fins priced just below $10K... Daemon is the one you can't lift because it's a 100 pounder, has a big honking horizontal selector/volume wheel, and is priced around $40K.

I do like continuum S2 quite a bit... Daemon I have not herd yet.
Ctsooner, I fully understand your position. I've been at this since the late 1960s when I taught at Florida State U. Tallahassee had about 50,000 people and three stereo dealers. Then there were about five manufacturers of electronic components few power cord makers, no rack makers, etc. And virtually everybody had an AR turntable although Linn was coming along.

So one had few choices but many opportunities to hear them first. I remember going up to Dallas to hear a new amp by a guy named Jeff Roland. I was very impressed and bought one and it was cheap, but I cannot remember how much. I think about $2500!

I have noticed as I am sure you have too, that dealers are a dying species. I expect that very soon you will find them only in NYC and LA. So you had better buy now.
@tbg yup dealers are closing and dying off. The whole audio hobby is changing when it comes to being able to hear gear.
I ran the same comparison again. I prefer the ODSE to the Berkeley with my Burmester preamp. With the Rowland pre-amp I think I like the Berk better, but it's close. There was a bigger difference in how much better the Emm was over the ODSE then the Berkely Ref. I just felt the ODSE gave a more realistic representation of what was recorded. Though I preferred piano on the Berk Ref a tad more tonally, the actual sound of the piano was more real on the ODSE.

The Aurender is clearly superior to my Mac Mini. That's great to see. It was sort of bothering me that I couldn't find something better. But the N10 really needed tons of hours on it to get there. And I'll bet there's more to get as it hits 1000 hours. I'm near 520 now I think. The Double Bass on the N10 gives texture and tone as if the sound is emanating from the instrument, with resonance and palpability. Drums hit with a sense of natural impact and resonate properly. And vocals and piano are just right. I just need to get me ears on the YFS server to compare the two and I will be buying myself a new music server.

Finally, the HF Ultra Ref Helix uber power cord.... That heavy magnet in the middle is a PiTa. I would imagine a wire tie to the rack column would be the best solution. Plugged in and brand new, it gives more volume at the same setting and immediately helped define images in space a tad better. The base flattened out a bit, which I have found with many new out of box power cords. Midrange mellowed a touch as well. Practically useless first impressions. Needs time. I want to call HF and ask if the top tier needs to be implemented for the lower current front end gear, or if that giant magnet is best suited for the high current amp draw. Not sure if I'll get an honest answer.....
Matt, speak to Rick (the owner/developer) at High Fidelity Cables directly, even if you need to call back a few times. He will give you an honest answer. He is that type of guy. Also, he is a wealth of information.

PS it is a shame you could not make it to the NY Audio Show this past weekend as Rick was there and holding talks about his cables.