What is your favorite Mozart symphony?


Most people would agree that the last three symphonies of Mozart (no. 39 -41) would be his greatest symphonic compositions. But it is so interesting to realize the perspectives on this subject from conductors. In one interview, Karl Bohm stated that Symphony No. 9 in C major has the originality of some later great works. Another case is Eugen Jochum who performed Symphony No. 33 in B falt major (121 times) more than Symphony No.40 (60 times) or Symphony No. 41 (87 times) in his career.

It would be equally or more interesting to collect your opinions. What would be your favorite Mozart symphony? What would be your most admired performance/recording of that composition?

Happy Listening!

Otto
yu11375
Hi Schubert - let me clarify something I said. I did not mean that Schubert's Piano Sonatas are not great - they are! I meant that they do not show that seeming ease of composition we are speaking of with Mozart, and with Schubert's own songs. Schubert's late piano works are very complex in a similar manner to Bach. It takes a great deal of concentration for even a very serious listener to follow them, so in this sense the craft is very obvious, though of course fantastic. Hope this makes sense - it is really only in his song composition that Schubert has that "falling from Heaven" quality you describe, though personally I think that is a poor description which belittles the composer and his craft. That is one of the only bad things about the movie Amadeus, that it perpetuates this notion that God did it, not Mozart.
When speaking of his music the one that "falls from heaven" to me at least, is Symphonia Concertante K364 for Violin/Viola written when he was 23 years old. The interplay between the violin and viola in the 2nd movement is just brilliant, I never tire listening to this piece.
I'm glad you mentioned that piece, Tubegroover. May I describe it as "heavenly?"
It just might be my favorite Mozart composition of all.
Yes thank you Tubegroover. Mozart Sinfonia concertante in E flat Major, K 364 - manna from heaven. Mozart truly loves the interplay between the solo voices and the full group. I can feel his heart in a piece like this.

It gives me the same feeling when I listen to Bach's church music. There is a extra special light shining thru Mozart's concerto/chamber/opera music and Bach's church music.
Right, I didn't think you meant anything else ,that's why
I said serious listener.I must have heard D.960 live at least 20 times and I only bothered with the top-rank players. I've listened to it hundreds of times at home and have the score, and I think I still have a way to go but thank God for the journey .
God helps some composers , not in some mystical way, but by the fact that really devout composers don't waste much energy in worry, the most useless activity we humans engage in .
Poulenc wrote about this effect after his conversion .
Bach writing" To the Glory of God" on every work was no empty gesture .


I have a lot or respect for Symphony players, not least because I listened to a conversation where a half-dozen
Players from the Berlin RIAS Orch were bemoning the fact
they had a hard time just listening to music because they
were listening to technical matters in general and their parts in particular .



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