Squeeze Concert including one odd tidbit


I saw Squeeze (or, more precisely, Chris Difford and Glenn Tillbrook of Squeeze) in concert at a local club last night. They performed mostly acoustic versions (tho Tillbrook played some electric guitar) of Squeeze's greatest hits and they did so with great style. The simpler arrangements still managed to capture a lot of the kinetic energy that is central to so many Squeeze songs. Overall, a very fun show and one worth catching for any Squeeze fan.

Squeeze is a band that I admire greatly: IMO, they combine outstanding songs (irresistible hooks) with excellent musicianship (Tillbrook is a fine, under-appreciated guitarist) and they often provide witty lyrics rife with clever wordplay. When the band performs, they rock with much more power than you might expect from such shiny songs. When they perform as a duo, however, the concert is less manic and involves more interaction with the audience. I've seen them do request-heavy shows in the past, but last night they had a guy with a mic walking thru the audience to take questions.

While most of Squeeze's best lyrics are probably best characterized as "clever good fun", one of their songs, "Some Fantastic Place", is a kind of pop elegy. The song is sung as a paean to a lover who died young. I've always wondered whether it was a true story or an imagined one. I've also always found it to be a tremendously moving and inspirational statement at a time of great sadness. I like a lot of Squeeze's lyrics, but I've always felt that "Fantastic Place" is a cut above anything else that Squeeze has done lyrically. (Actually, I find it a cut above all but a very few lyrics from anyone - there's just a very intense personal connection with that song on my part.)

When the mic came my way, I asked if a two part question was okay. They approved and I first asked:

"What lyric are you most proud of?"

Tillbrook hemmed and hawed for a minute ("That answer might change every day"), before he eventually settled on...... "Some Fantastic Place". Tillbrook said he was very proud of that one and then he thanked Difford for penning the lyric that told the story so movingly. He then asked me for part two of my question.

I told him that my second question was about..... "Some Fantastic Place". I asked whether the song was about an actual person in his life and, if it was, whether he might share that story.

He explained that his first great love died young of Leukemia. When Difford first provided his lyric shortly after her death, Tillbrook said the chords just spilled out of him in a spontaneous torrent. It was evident that it was a moving moment for him. It was satisfying to see that I had shared that sentiment with him regarding the power of the song.

It was a nice cap to a really fun evening with two terrific pop musicians. It also made it clear that a chance to interact with the people who write our favorite songs is an opportunity that happens way too rarely. If you like Squeeze, and Difford/Tillbrook comes to your neighborhood, I'd urge you to check this one out. Come armed with a question, too - it might make the night special.

martykl
Bdp24, sometimes I feel like having Italian food with a complex sauce and an elaborate salad. Other times it's a few slices of pizza and a beer. It's great either way.

Brian Wilson was my first hero. I "still dig those sounds." Thanks for the "musical midget" quote.
Marty, thanks for that list. I will check them out (I've probably already heard some of them, but it was long, long ago).
Good analogy Tostadosunidos. I also like that of a book versus a short story to a Classical composition versus a song. IMO the Brian Wilson songs in the Smile album are at least as "good" as anything Copland wrote, capturing "Americana" very successfully, with the extra added element of "weirdness" (Brian's song's chord structures are very "spooky", like a David Lynch film---"Fall Breaks and Back to Winter" is actually quite scary).
I'm a big Paul Carrack fan so I tend to like Squeeze with Carrack best. His vocal chops help put them over for me at least for the short time he was there.

I can hear some Beatles influences in tunes like Up the Junction for example but other than the hunger at the time for anything that might be regarded as new Beatles I wouldn't lean too heavy on that.
I always like a food analogy for rock n roll vs classical - but mine would be French haute cuisine vs sashimi. In one case, a chef who has mastered a ton of technique may produce a complicated dish that requires every bit of his training as well as an elaborate and often time critical game plan. There may be several steps involved in the preparation of a protein, more for a sauce, still more for accompanying vegetables and garnish. Every step must be synchronized for the desired result.

In the other case, he's essentially just cutting fish. There's not even any "cooking" (in the strict sense of the word) involved. However, the latter can produce a sublime and elegant result which reflects the aesthetic of a different culture.

They both have a place at my table.