Who tried Class D only to return to S/S or Tube



And what were the reason you did a backflip back to S/S or tube.
As there are a few pro Class D threads being hammered at the moment, I thought I'd put this up, to get some perspective.

Cheers George
georgehifi
It's interesting to follow the development and different incarnations of Class-D amps, and lately Devialet and in particular the NCore-based solutions have caught my attention the most - sadly not via auditions in my own setup.

To me though the choice of amp comes down to the choice of speakers first and foremost, and being that I favor speakers of high(er) sensitivity (not necessarily as a means in itself, but as a function of their design/principle and the sound this produces), I'm not sure generally high-power Class-D is the best option. Here the first watts or less are what counts, and Class-D topology seems to be "more happy" going beyond these lower thresholds.

Interesting as well is reading the notions of the supposed "neutrality" of Class-D amps, which appear to be influenced to some degree by an array of their measured performances as an "objective" criteria. The criteria essentially can only be what is actually heard, and if what is heard distances itself the most from any mechanical, dynamically restrained and tonally inauthentic imprinting, the more natural and "neutral" it is in approximating a live, acoustic sound, to my ears.

The development in my setup, as per before mentioned desirable sonic traits, has lately gone from Class-D to SS Class-A, and who knows whether a 3-4 watt SET would take the reign in the near future to come. Certainly not a "modern" development, indeed it's rather old fashioned, but why should one care? On the other hand, should a Class-D based iteration cross the way and level the Class-A/SET alternatives with high sensitivity speakers of choice, well then, it's a hassle-free and greener solution for sure.
I played with the Devialet amps today. It was very enlightening for me to hear what a great class D amp can do. It was warm, smooth, very clean and tight. In other words, I couldn't find any faults (except the price).
This is the first time I've liked Class D when compared to class A or tubes.
My goal is to eventually have a top tier tube amp , a/b, a, and class D . Switch things up as i feel so inclined . They all have there sonic flavor and who likes to only eat vanilla ice cream .
Hi Phusis, your bring up an excellent point.... The problem of paper listeners who evaluate the musical experience basing themselves on printed graphs and figures... You find these types spread all over the tubed / ss / class D continuum.

Admittedly, I am fond of a neutral sound with a bare smidjin of warmth.... But my only criterion for judging if a particular device is to my liking is.... My own ears.

G.
I returned briefly and now I`m stumped.

I can hear a very thin additional layer of sound/decay on the BACKSIDE of the front to back image of the tube amp that just..JUST eludes the Class D amp.
I`m talking onion skin layer, barely perceptible if that makes any sense, the width and height of the Class D is really nice no issues there at all.

I THINK I may be able to bridge the gap with a tube phono stage and maybe recover that added/perceived dimension but my ASR Mini Basis MKII sounds so good to me that I`m scared to think what a tube phono stage might cost to better it.

My speakers need some power and I`m not sure I`m willing to spend the money needed for a tube amp that can provide the needed power that the Class D has on tap.