Review: Denon DL-110 Cartridge


Category: Analog

While delving through my stash of phono cartridges came across this Denon DL 110 high output phono cartridge. Can't remember where this came from, but was new in box and never open. Oh well, remember fellow audiogon member Ed Kobesky had done a review on its big brother the Denon DL 160 and found that I agreed with him completely on the DL 160.

Have owned many Denons in the past 47 years in the hobby such as the 103,103D,103S,103R as well as the DL160 and now the DL 110. It is very hard to fault the overall Denon line of phono cartridges and when it comes to price/performance ratio, nothing else even comes close to the sonic superioirty of the Denon line up. And that has held true for well over 30 years.

With what we have in analog turntables and software today,with the vast majority of the used LPs to me it just doesn't make sense to spend tons of dollars in this medium,for it is all limited to the source material that is available.

Some of the so called new 180 gram and 200 gram pressings are worse in quality than finding a pristine or good used example from years gone by. There have been very few so called audiophile pressings that are worth the money to buy and some are just horrid sonically. Beware of the new audiophile pressings most are not worth the money spent on them.

Same with the hardware, turntables over $1,000.00 generally won't perform any better than a $500.00 table and much can be said of phono cartridges as well. In my opinion spending more than $400.00 in a phono cartridge is sheer lunacy. But it is your money and do spend it as you wish and remember the words of PT Barnum in doing so.

By any standard one would care to judge the venerable Denon DL 110 Moving Coil cartridge,one must agree that for its price point, this is a stellar phono cartridge,that his stood the test of time and continues to impress to this day. If memory serves me correct these broke onto the market in 1982 or so at about $125.00 retail for the DL 110 and now some 25 years later still in production and the retail price has gone up by $15.00 dollars to $140.00. Now thats value par excellence.

But none of the above would matter, if the DL 110 did not deliver the music. It does and has that wonderful Denon signature. The Denon DL 110 has a way of getting into the grooves and extracting the information contained therein with total authority. And when playing used vinyl there is hardly a better performer than the Denon DL 110, it will play vintage vinyl with aplomb, where other and more expensive phono cartridges just give up. Due to its diamond shape surface noise is all but non-existent. As well as several albums I have played that I thought had surface noise,when played by the Denon DL 110, that noise was gone!

Listed below are some of the Albums I used to audition or more precise to reaudition with the Denon DL 110.

Albums Are:

Bob James - Hands Down (Columbia FC 38067)
Hiroshima - Self Titled - (Arista MFSL1-525)
John Coltrane - Blue Train - (Blue Note BST 81577)
Wes Montgomery - Bumpin' - (Verve V6-8625)
Rickie Lee Jones - Self Titled - (Warner BSK 3296)
Wynton Marsalis - Live Blues Alley - (Columbia PC2-40675)
Eric Gale - Forecast - (KUDU Records KU 11)(CTI Records)
Kenny Burrell & Grover Washington Jr - (Blue Note BT 85106)
Earl Klugh - Finger Painting - (Blue Note MFSL 1-025)
Larry Carlton - Friends - (Warner 23834-1)
Sadao Watanabe - Autumn Blow - (Inner City IC 6064
Doobie Brothers - Minute by Minute - (Warner BSK 3193)
Santana - Zebop - (Columbia FC37158)
Pat Metheny Group - American Garage - (ECM 1-1155)
Frederick Fennel - Cleveland Symphonic Winds - (Telarc 5038)

A few others were used as well, but this gives you the idea of the music used.

I am not going to go into a long narrative and blow by blow description of each album and the resulting findings. But make no mistake the Denon DL 110 played all the above with a verve to total musicality. Balance,tonality,attack,decay, were spot on. Great frequecy response and channel separation to die for.

Here is a product that truly delivers well over its price range and how Denon can keep producing this stellar performer for $140.00 is a mystery to me. But I am certainly glad that they can.

Specs Below:

Denon DL-110 Specifications:

Output: 1.6mV

Stylus: Special Elliptical Solid Diamond

Cantilever: Aluminum

Frequency Range: 20 to 45,000 Hz

Tracking Force: 1.5-2.1g

Weight: 4.8g

Found that in my rig a setting of 2 grams tracking force with 2 grams anti skate worked just fine and yielded the best results.

In phono cartridges of today, one can do far worse in not picking the Denon DL 110. In my opinion having been around as long as I have in the hobby, this is an Icon product, that not only has withstood the test of time, but continues to do so today.

So when your ready to jump off the snob bandwagon and start to really enjoy the music again, the Denon DL 110 or Denon DL 160 will be waiting for you. After all in the long run this hobby is about the music and not the gear and paranoia that surrounds this hobby.

My thanks to Ed Kobesky for his review on the Denon DL 160 which prompted this review on the Denon DL 110. If it had not been for that review may have put the DL 110 up for sale, instead of using the DL 110 and would have missed a very musical experience. This has been a very pleasant surprise and reaquaintance with the Denon DL 110. This is one cartridge I will just wear out, then get another DL 110.

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Either the Denon DL 110 or 160 are superb budget MC phono cartridges. The tapered cantilever on the DL 160 reduces the mass at the diamond, allowing better tracking and quicker response to the grooves and the ability to use less tracking force. With that being said there is in my opinion no difference I can hear in overall sonic siganture. Both work well with medium mass tone arms such as the Rega RB 300 and the like.

The Ortofon X5 is great cartridge, but not for everybody.Has the Fritz Gyer diamond stylus and this is a very analytical cartridge. For me it seem to work better for classical,jazz and chamber music. But overall for my musical taste was just to analytical. But nonetheless it remains a very good phono cartridge for those that like this type of signature.
I agree completely...I've been buying the DL-110 lately because I simply can't hear much difference though I can't say what might happen if I auditioned them back to back.

I've never heard the Ortofon X5-MC but I've owned two X1-MC carts with the standard elliptical stylus. Both were neutral to a fault but somehow left me cold. For $5 less, I'll take the Denon.

Of course...for $40 less and offering just as much detail but with a slightly peaky top end...there's the Audio-Tecnica AT-440ML with AT's MicroLine stylus. Amazing tracker and really yanks every last detail out of the grooves. Definitely not for systems that lean toward lean or dry, but definitely a contender for under $100. Maybe even alone at that price.
I have been very happy with the Denon DL-110 that I have been using. Gets smoother aka 'warmer' and more detailed with each improvement I make to my NAD533.

I am thinking of getting the Channel Islands VPP-1 phono preamp (now using Cambridge 540p) after a few more upgrades to my table and would like to hear any DL-110 owners experiences with the Benz ACE.

I have heard it posted that the Benz is smooth, very detailed; a lusher presentation that the Denon DL-110.

Is the Benz ACE worth going to? Big change/improvement over the DL-110.

It's hard to settle when you haven't heard the gap between these products. I am very willing to stay at the DL-110 if the Benz is all hype.

I know, I know, I would go listen but there are no dealers in the area, etc, etc.
It's funny, wayy back I had the LP12-Valhalla/ITTOK/KOETSU BLACK which was then the bees knees in '83! But hard times have left me with a Systemdek IIX, Rega RB300 unmodified and a Rega Elys just put out to grass by a 10X5. I couldn't agree more with what you say. The only difference being passages which the old combo picked up but the new one doesn't, but in terms of musicality in some ways much better - at today's prices, 1/3rd the cost! The law of diminishing returns methinks!
Adcom, Levinson, McIntosh...they've all given up their MC cartridge line. I think it's wonderful that Denon still contributes a product like this. Sure, it's not altruism...the line is profitable. But that's because the design is great and Denon can do the kind of efficient manufacturing that the Koetsus and Benzes of the world cannot. The DL-110 and DL-160 deserve the praise they've earned as unique, high-value products that may not be 'neutral' but are most certainly 'musical.'