The Best of Naxos' classical catalog


Category: Music

Most of the classical music fans among our A-gon membership are familiar by now with the Naxos label, which offers a huge catalog (179 pages) of classical, jazz, and international recordings at budget prices (single CD’s are $6.99). Many of their releases have won multiple awards from various magazines, such as the Penguin Guide, Gramophone, BBC Music, Classics Today, Diapason, Repertoire, Cannes Classical Awards, and Stereoplay. The awards recognize not only quality of performance, but also recording/audio quality.

I was in Borders Music a few days ago, and picked up a copy of Naxos’ 2001 catalog. After perusing it, I was surprised by the large number of recordings that have received multiple awards. The following list reflects some of the best Naxos releases that have received at least 2 awards (most have won 3 or more). At their modest budget price, these recordings present a fine opportunity for classical music neophytes to start building a library of recordings at minimal cost.

(Catalog number follows name of composition)
1. Johann Albrechtsberger (1736-1809): Concerto in B-flat Major (8.553831)
2. Malcolm Arnold (b. 1921): Symphonies #3 & #4 (8.553739)
3. Kurt Atterberg (1887-1974): Suite #3 for violin, viola, and string orchestra (8.553715)
4. Samuel Barber (1910-1981): First Essay for Orchestra (8.559024)
5. Bela Bartok (1881-1945): Hungarian Pictures (8.5543210)
6. Arnold Bax (1883-1953): Symphony #3 (8.553608)
7. Ludwig van Beethoven (1770-1827): Triple Concerto for Violin, Cello, and Piano (8.554288)
8. Arthur Bliss (1891-1975): Adam Zero (8.553383)
9. Anton Bruckner (1824-1896): Symphony #2 (8.554006); #3 (8.553454); #4 (8.554128); #7 (8.554269)
10. Ernest Chausson (1855-1899): String Quartet, Op. 35 (8.553645)
11. Edward Elgar (1857-1934): Piano Quintet in A Minor (8.553737); Symphony #3 (8.554719)
12. George Enescu (1881-1955): String Quartets #1 and #2 (8.554721)
13. Gerald Finzi (1901-1956): Clarinet Concerto; 5 Bagatelles (8.553566)
14. Cesar Franck (1822-1890): Piano Quintet in F Minor (8.553645)
15. Franz Josef Haydn (1732-1809): Symphony #30 (8.550757); Symphonies #74-76 (8.554109); String Quartets, Op. 64, #1-3 (8.550673)
16. Gustav Holst (1874-1934): Somerset Rhapsody (8.553696)
17. Leos Janacek (1854-1928): Piano Music, Vol. #3 (8.553588)
18. Joseph Martin Kraus (1756-1792): Olympic Overture (8.553734)
19. Franz Liszt (1811-1886): Complete Piano Music, Vol. 1 (8.553852)
20. Darius Milhaud (1892-1974): Piano Music (8.553443)
21. E.J Moeran (1894-1950): String Quartets; String Trio (8.554079)
22. Jacques Offenbach (1819-1880): Gaite Parisienne (8.554005)
23. Walter Piston (1894-1976): Violin Concertos #1 and #2 (8.559003)
24. Sergey Prokofiev (1891-1953): Piano Concertos #1, 3, and 4 (8.550566)
25. Einojuhani Rautavaara (b. 1928): Cantus Arcticus & others (8.554147)
26. Alan Rawsthorne (1905-1971): Symphonic Studies; Cello Concerto (8.554763)
27. Dmitry Shostakovich (1906-1975): Cello Concertos #1 and #2 (8.550813)
28. Jean Sibelius (1865-1957): Finlandia (8.554265)
29. Bedrich Smetana (1824-1884): Ma Vlast (complete) (8.550931)
30. Pyotr Tchaikovsky (1840-1893): Suites #1 and #2 (8.550644)
31. Ralph Vaughan Williams (1872-1958): Symphony #5 (8.550738)
32. Guiseppe Verdi (1813-1901): Requiem (2 CD’s) (8.550944-45)
33. William Walton (1902-1983): Cello Concerto (8.554325); and March for “A History of the English Speaking Peoples” (8.553869)

Good listening to everyone!
sdcampbell
I have found Naxos, of which I own 30 or so classical, and have bought and gotten rid of 20 or so as well, to be consistent with other labels in that some recordings are very realistic, while others are totally lacking any semblance of realism for various reasons. The worst Naxos I've heard are recorded with far too much ambience, sounding muffled and distant with no instrumental detail. A few have been a little bright. Sometimes the performance is lifeless or unorthodox. Sometimes, though, just like the big guys, they get it dead on in every respect. If you're interested in the music and searching for a definitive version, odds are better that an established big label will provide something worth living with. If you don't know a piece of music and want to experiment, $5 is not a big gamble in our audiophile world. When you find something you like, note the ensemble, conductor, recording details such as engineer and locale, and buy more of that series. Reward succes and quality, punish incompetence.
As I sort of stated above, I like many Naxos because they are never over produced. I do find some that don't sound good, but same is true will all labels.


I also have a few MHS LPs. They are pretty good. A lot of the MHS CDs are reissue of discontined CDs from major lables that they got permission to issue under their label. I believe they are chosen for the performance quality, not sound quality.

Of the several hundred Naxos discs I own, bought mostly on the basis of reviews, there are really very few clunkers (stay away from their early Rameau stuff) and some are sensational. Their "Naxos Historical" line is also full of gems, especially those remastered/restored by Mark Obert-Thorn. Enjoy. Dave Pogue
Sd, thanks for taking the time to list: a great practical guide!
I usually purchase Naxos to try new artists, & to listen to certain composers/pieces that are hardly found on major labels' catalogues. Admittedly, I had paid lip-service to sound quality -- an interesting aspect! In my system, the sound ranges from reasonably detailed to harsh (digititis maybe). Compared to Decca's re-issues, Decca comes on top -- by far. But the opportunity to audition certain artists before they become giga-stars is still there!