Class A tube mastering amps, tube microphones, minimal miking and a real sound engineer with real ears doing the work. Simple enough as opposed to most of the dreck of today.
Class A tube mastering amps, tube microphones, minimal miking and a real sound engineer with real ears doing the work. Simple enough as opposed to most of the dreck of today
Celtic nailed it--no overdubs, heavy processing, etc.. But also minimal or judicious use of compression.
A recording being mastered for home listening will not have the dynamic range compression of a recording that is anticipated for radio playback. Heavy dynamic compression is used for radio playback because radio is often listened to in noisier environments--hence the need for "steady" volume levels.
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