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Advice for a new Oracle Delphi Owner

Calling all Oracle Delphi owners, I recently bought a nice condition MK III and have a couple of questions for existing or previous owners of this fine turntable.

My questions are.

1) Do you always switch off the platter each time you change the record over or try to unclamp, flip over, re clamp whilst the platter is spinning. If the answer is yes I assume the motor is robust enough for the constant switching on and off?

2) Do you ever play with an alternative platter mat without the clamp. If so what brand.

I really like this turntable and it sounds excellent with no issues evident at the moment. My only thoughts are that it is a little more time consuming to use due to the constant power off, unclamp, place record, reclamp, power on and play routine for every side of play. 

Look forward to any input.

Thanks.
ateal
brf
1,715 posts
 
Just try and change a record with the platter spinning and the clamp screwed down.  The answer will soon become very apparent. 


ateal OP
97 posts
 
Thanks all. It is good to know that I am following the same routine as others. I wasn't sure as it seemed that switching on and off every 20 mins would overly burden the switch and motor. I guess, conversely, trying to change a record whilst the platter is moving is also going to put additional stress on the motor when trying to tighten up the clamp.

Thanks for all your feedback.
harold-not-the-barrel
895 posts
 
I have had 4 Delphis. II.5 and II.7 with the GROOVE ISOLATION w/ clamp & space-washer were the best hands down in audio quality. Because it´s the best record clamping system there can be. Platter + GI + record become one unit. Never liked the hard mat nor the stiffer suspension of IV, nearly impossible to fine tune the otherwise great suspension and sounded just awful. The get the best out of an Oracle its suspension must be in perfect balance. No exceptions. The micro detail sound is very hard to beat, for any deck.

Using Reso-Mat on the original GI mat is another thing. And you can use the original clamp as a weight. It even sounds very very good :) IMHO
Haven´t had static issues with Reso-Mat either.
ateal OP
97 posts
 
Hi Harold, with regards to the suspension tuning / balancing is there anything other than ensuring the distance between the plinth and the underside of the suspension housing on each pillar is equal to the "B" point of the suspension gauge (21mm). And also making sure the correct spring is used in each location.

Is there a further check that needs to be done. I heard there was a bounce check but i don’t know what that is. What would you advise to ensure perfect suspension tuning.

Also what are the effects on either side of the ideal setting. Does the bass get flabby with looser suspension or does the treble rise with a stiffer setting.

Any observations you may have would be most welcome.

Thanks
Ag insider logo xs@2x
cleeds
5,699 posts
 
ateal OP" ...with regards to the suspension tuning / balancing is there anything other than ensuring the distance between the plinth and the underside of the suspension housing on each pillar is equal to the "B" point of the suspension gauge (21mm). And also making sure the correct spring is used in each location.

Is there a further check that needs to be done."

Yes. When excited - tap on the platter vertically - the platter assembly should vibrate in a purely vertical, pistonic manner, with no wobbling from side-to-side. If it wobbles, either the tower heights are not properly adjusted, and/or one or more springs must be twisted (without changing height) so that the ends of the coil of each of the three springs share the same orientation.
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