I think I've Just Seen Absolute Proof That Audiophiles Are Insanely Gullible


I didn’t want to crap on someone’s sales thread, so I thought i’d post my amazement here. The focus of my disbelief? The "Dalby D7-Vinyl Stabilizer," which is a damn weight that screws onto the turntable spindle to hold the record securely onto the platter. Listed retail? 4000 British Pounds! (although a mag listed it at $6,800! On sale here at AudioGullible for the bargain basement price of 2500 British Pounds, or $3600 US dollars!!! Just read a few snippets of the sales ad . . .

"The D7-Vinyl Stabiliser has a sonic character that brings music to life and the ability to elevate the entire audio frequency from the veil and mechanics inherent in prerecorded music. The gains are immediate, with sweeter high frequency extension while the mid and lower registers are beautifully controlled. The soundscape is wider, higher and deeper, allowing the music to breathe more naturally."

I’m sorry, but I’m calling total BS on this. A friggin’ weight brings "music to life," "sweeter high frequency extension," "allowing the music to breathe more naturally . ." Come on. Its a modified paperweight that screws onto the platter. One can only imagine what this guy thinks about some $20K interconnects for the turntable -- the music probably writes itself! And don’t forget the amazing improvement that a $4,000 carbon fiber mat might add . . . You probably would think you were hallucinating because the music breathed so much it was oozing out of the speakers, like on some of my more memorable nights in college in the ’70’s.

Now I have never heard this amazing gift to the audiophile community, so maybe it is the audio equivalent of the Second Coming, but really? $5,800 for this? It confirms to me that there is a certain insanity/gullibility/too much money/snake oil in this so-called "hobby," (which is a hobby to customers and ridiculous business for some manufacturers). When is enough enough? What about audiophile paint, that has amazing sonic qualities to cut down reflection and make the soundstage so wide that you feel you need a new apartment? Don’t forget the audiophile couch, that is sonically neutral but promises to position your ears to "bring music to life?" OK, I’ve made my point. No offense to the seller of the snake oil, but really . . . When is enough enough?

This concludes my rant for today. :)
moto_man
Coupla thoughts:
for @ebm , "A legendary Shun Mook product now being made in a very, very limited number. This record clamp is made from extremely rare pieces of dried ebony briar. This extra heavy century old ebony root which were immersed in the swamps of Africa has a unique power that no other wood possesses. . . . Thus when the musical energy produced by any Hi Fi system will excite to different degree of all materials within the space covered by the acoustic spectrum. Different materials will have a positive or negative effect on each other influencing the final music production. The secret is to control and tame such resonance to the advantage of the system. It is commonly known that many musical instruments uses Mpingo and other ebony wood to create the most natural musical tones and harmonics. Just like the clarinet, the violin and other wind and string instruments uses the ebony as the essential component to generate the sound. With many years of research and development we at Shun Mook have designed and brought forth several revolutionary devices in the technique of electronic audio enhancement."

I’m not sure what the price of a record clamp made from "extremely rare pieces of dried ebony briar" is but once again, I call BS. Now don’t get me wrong, I love a record clamp as much as the next guy that still uses a turntable -- I have a record clamp even. The point really is not whether a record clamp makes a difference, but whether someone can justify a $3600 (used) record clamp by cloaking it in so much nonsense. "A fool and his money are soon parted," as the saying goes, and as @ahendler points out, why not spend $3600 for a used brass record clamp with 9 carat plated gold if you’re blowing $725K on a stereo. OK, fair enough, why not light your cigars with $100 bills? Because it is stupid to do so, regardless of whether you can afford to light cigars with $100 bills. Just because you can blow money, doesn’t mean you should buy snake oil.

Now, if it doubled as a pepper mill, or maybe a weird nanny cam, or the wife could wear it as a pendent, it would make sense. If you could combine the "unique power that no other wood possesses" from the Shun Mook clamp with the 3 pounds of gold-plated brass of the Dalby, you might really have a winner!

@swampwalker, LOL! "The "ebony bullet chambers" will come in handy when your significant other finds the Visa bill and threatens to put a cap in your a$$!"  You still let your wife see what you spend on stereo equipment?
There are "thousands" of other audiophile products that "someone" considers just as much of a rip off.  YMMV as they say.
@don_c55 , you're right.  There are probably silly priced cables, fuses, whatever, that can be viewed as a rip-off. And if someone was marketing the Dalby D7 Vinyl Stabilizer as the most bitchin' nicest looking record clamp that money could buy, hey, its your money . .  live it up.  But its the idiotic claims that are made to justify the ridiculous price that burn my nuts. "sweeter high frequency extension while the mid and lower registers are beautifully controlled. The soundscape is wider, higher and deeper, allowing the music to breathe more naturally . . .?" Come on.  Just say that you will be the envy of all of your neighbors and fellow audiophools with an amazing 9 carat gold plated piece of brass and "lignum vitae" because no one has ever seen such a hot looking record clamp, without the ridiculous claims targeted to the gullible.  You want to sell a diamond-encrusted record clamp  because its, well, a diamond-encrusted record clamp . . . fine.  You want to sell a diamond-encrusted record clamp  because it makes "the music breathe more naturally . . ."  different story.