In a lot of these threads people say without the room being treated


It's a waste of money to upgrade you're system. The problem is I don't think most people know how to treat their rooms. I really think it takes a professional to know how to treat a room. Sure you can play around with it if you like but it could also be a big waste of time and money. And I know hiring a person to acoustically treat a room can't be cheap. I wonder why more people don't discuss this subject and make recommendations on who does this kind of work. When I look at the big picture this makes the most sense.

taters

I read a post here lately where the poster provided some great advice. Put pillows in the corners and hang blankets on the walls at the first reflection point as a test. Then go from there. No real cost in doing this and then see what happens. Experiment some to see if your room perhaps needs some help.

I tried pillows in the corners and it works nice; just one on the floor worked well and more pillows pilled up did not help further. When I'm done, I just put the pillows back on the sofa and so my cost is in the few moments to move the pillows to or from the corners. I may look at trying the blanket experiment next.

I can't believe that someone's spouse felt that Maggies were ugly. I feel that they are beautiful.  When my lady friend first saw my Martin Logan Monolith IIIs speaker, she actually said that they were pretty.  now the hugh Mark Levinson 23.5 amps on the other hand, she didn't care for them at all.  Cables?  nope. Rosewood Sota Turntable? yep.  Cabinet? yep.

I live in a 1930s style house with lathe and thick plaster walls. Shutters behind the speakers and on the side walls and art on the rear walls, and I can tell you that walking around my room when the music is playing, there are spots that I feel need some sort of treatment.  My floor is hardwood with a large, thick area run from the speakers to the back wall, so that first reflection point is minimized.  I have wonderful sound (to me and others), but yeah, I do think that I may need some sort of room treatment.  Just don't want to throw money at a problem without knowing exactly what I'm doing.
enjoy
Today I installed the 7th & 8th bass trap in my "man cave" and I’m close to being "done" struggling to control the "boominess" in the 24x26’ room. It was so bad that, even with a half-dozen traps, and using the room eq feature built into my JL Audio F113V2 subs, the "boominess" was just uncontrollable, until I moved the subs to behind the sofa. Don’t tell my wife, but I might order two more 2x4’ traps and move the subs back to being besides my speakers.  I have placed multiple orders with ATS Acoustics, first trying two pair of traps, adding another pair and finally the pair I installed today, for both the side, back and front walls, with two suspended from the ceiling.  I'm "almost there"!
I agree with zmanastonomy that treating a small room is critical. Mesch has a good idea as well. I did the same thing but it wasn't intentional.

I started out with several 4x8 bass traps from Ready Acoustics. In the big scheme of things, these are relatively inexpensive and allow the user to modify if they have the time and tools. I started out from the recommendations of the manufacturer at first and then played around with positioning. ( I'm lucky that I don't mind putting holes in my walls and the WAF isn't a factor at the moment). This is informative as it gives one real time experience in how they interact with your room. As my system has progressed through the years, I've found that better sound has come from removing, adjusting and repositioning as well as modifying.


I've been reading and learning about acoustics over the past year or so...just because I like to learn new stuff.  Got Room EQ Wizard (free), a mic and cheap ADC, and I've had a great time learning to use the software.  It's complex at first, but after a little while, the various graphs start to mean something...mostly frequency response of the room, reverberation, and modal ringing.  Now it's time to try my hand at treating the room problems...in my case very noticeable 130 hertz peak that makes bass notes boomy and indistinct.  First few base traps have definitely helped, but they also are affecting the higher frequencies, especially above 10K.  Seems base traps can be "tuned" to avoid absorbing high frequencies.  I've been making mine out of Roxul, covered with a thin material that is easy to blow through.  Anyone have any suggestions about better targeting of bass, while leaving the higher frequencies alone?